This paper compares two art museums, both created during the French Revolution, that fostered national unity by promoting a cultural identity. By analyzing the use of preexisting architecture from the ancien régime, innovative displays of art and redefinitions of the museum visitor as an Enlightened citizen, this thesis explores the application of eighteenth-century philosophy to the formation of two museums. The first is the Musée Central des Arts in the Louvre and the second is the Musée des Monuments Français, both housed in buildings taken over by the Revolutionary government and present the seized property of the royal family and Catholic Church. Created in a violent and unstable political climate, these museums were an effective means...
The Exposition des Primitifs frangais opened in the Pavilion de Marsan at the Louvre in 1904, with ...
Ce travail étudie la place particulière accordée aux « maîtres anciens » dans la littérature artisti...
This thesis is about iconoclasm in Paris, 1789-1795. Previous full-length studies on the subject hav...
This paper compares two art museums, both created during the French Revolution, that fostered nation...
This dissertation was submitted to the Department of History and Faculty of the Graduate School of t...
Impacted by changes to the surrounding environment and its affect on the citizens of Paris, the Louv...
Expropriation or Reappropriation of the Past French National History in Museums after the Revolution...
In this paper I want to explore some of the ways in which art lost the capacity to embody knowledge ...
Historical museums are a current subject in today's academic scenery in France. Two conferences on h...
An invention of the Renaissance, the art museum became truly established with the Lumières period. H...
The Exposition des Primitifs frangais opened in the Pavilion de Marsan at the Louvre in 1904, with ...
An invention of the Renaissance, the art museum became truly established with the Lumières period. H...
As a revolutionary invention, art museum opened to the public in France is an institution that offer...
Alexandre Lenoir, painter, playwright and dilettante at large, is best known as the creator of the M...
As a revolutionary invention, art museum opened to the public in France is an institution that offer...
The Exposition des Primitifs frangais opened in the Pavilion de Marsan at the Louvre in 1904, with ...
Ce travail étudie la place particulière accordée aux « maîtres anciens » dans la littérature artisti...
This thesis is about iconoclasm in Paris, 1789-1795. Previous full-length studies on the subject hav...
This paper compares two art museums, both created during the French Revolution, that fostered nation...
This dissertation was submitted to the Department of History and Faculty of the Graduate School of t...
Impacted by changes to the surrounding environment and its affect on the citizens of Paris, the Louv...
Expropriation or Reappropriation of the Past French National History in Museums after the Revolution...
In this paper I want to explore some of the ways in which art lost the capacity to embody knowledge ...
Historical museums are a current subject in today's academic scenery in France. Two conferences on h...
An invention of the Renaissance, the art museum became truly established with the Lumières period. H...
The Exposition des Primitifs frangais opened in the Pavilion de Marsan at the Louvre in 1904, with ...
An invention of the Renaissance, the art museum became truly established with the Lumières period. H...
As a revolutionary invention, art museum opened to the public in France is an institution that offer...
Alexandre Lenoir, painter, playwright and dilettante at large, is best known as the creator of the M...
As a revolutionary invention, art museum opened to the public in France is an institution that offer...
The Exposition des Primitifs frangais opened in the Pavilion de Marsan at the Louvre in 1904, with ...
Ce travail étudie la place particulière accordée aux « maîtres anciens » dans la littérature artisti...
This thesis is about iconoclasm in Paris, 1789-1795. Previous full-length studies on the subject hav...