Add to ORKGThe concepts of consonance and dissonance broadly understood can provide structural models for creators of visual music. The application of words such as \u27harmony\u27 across both music and visual arts indicated potential correspondences not just between sensory elements such as pitch and colour but also with the manipulation of tension and resolution, anticipation and stability in visual music. Concepts of harmony have a long history in proportions of space, colour and motion as well as music that artists can now exploit with new technologies. I will offer examples from my own work as well as techniques from artists such as Oskar Fischinger and John Whitney
Uncertain Harmonies (or Fall) examines an area of visual music, associated with colour and the music...
Music and design draw upon innate parallels concerned with the creation and existence of space. By a...
This PhD study investigates how our perception of musical chords, both in isolation and in musical c...
The concepts of consonance and dissonance broadly understood can provide structural models for creat...
The concepts of consonance and dissonance broadly understood can provide structural models for creat...
In the late 1980s and early 1990s I was privileged to work with the computer animation pioneer John ...
Visual music is an art form that implies intermodal connections between the senses but which has his...
Simultaneous consonance is a salient perceptual phenomenon corresponding to the perceived pleasantne...
The problem of consonance and dissonance has intrigued and baffled theorists since the days of Pytha...
The theoretical phenomena ‘consonance and dissonance’ underscore the ex-pression of many musical dis...
Background in music theory. Consonance and dissonance (C/D) has been central to music theory since a...
The first three chapters cover historical and contemporary theories of consonance and dissonance tha...
The contrast between consonance and dissonance is vital in making music emotionally meaningful. Cons...
Thesis (B.M.)--University of Illinois, 1916.Typescript.Includes bibliographical references
The consonance/dissonance (C/D) level of a triadic chord is not a fixed or absolute value. Rather, i...
Uncertain Harmonies (or Fall) examines an area of visual music, associated with colour and the music...
Music and design draw upon innate parallels concerned with the creation and existence of space. By a...
This PhD study investigates how our perception of musical chords, both in isolation and in musical c...
The concepts of consonance and dissonance broadly understood can provide structural models for creat...
The concepts of consonance and dissonance broadly understood can provide structural models for creat...
In the late 1980s and early 1990s I was privileged to work with the computer animation pioneer John ...
Visual music is an art form that implies intermodal connections between the senses but which has his...
Simultaneous consonance is a salient perceptual phenomenon corresponding to the perceived pleasantne...
The problem of consonance and dissonance has intrigued and baffled theorists since the days of Pytha...
The theoretical phenomena ‘consonance and dissonance’ underscore the ex-pression of many musical dis...
Background in music theory. Consonance and dissonance (C/D) has been central to music theory since a...
The first three chapters cover historical and contemporary theories of consonance and dissonance tha...
The contrast between consonance and dissonance is vital in making music emotionally meaningful. Cons...
Thesis (B.M.)--University of Illinois, 1916.Typescript.Includes bibliographical references
The consonance/dissonance (C/D) level of a triadic chord is not a fixed or absolute value. Rather, i...
Uncertain Harmonies (or Fall) examines an area of visual music, associated with colour and the music...
Music and design draw upon innate parallels concerned with the creation and existence of space. By a...
This PhD study investigates how our perception of musical chords, both in isolation and in musical c...