Add to ORKGZuluaga reviews Coelho\u27s 2005 book. Coelho, Victor Anand, ed. Performance on Lute, Guitar and Vihuela: Historical Performance Practice and Interpretation. Cambridge University Press, 2005. Cambridge Studies in Performance Practice, no. 6. ISBN 0-521-10943-5
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
Review of: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by...
Rasch reviews two books on musical instruments. Campbell, Murray, Clive Greated, and Arnold Myers. ...
Peter Walls discusses and critiques Jaap Schröder\u27s guide on how to perform Johann Sebastian Bach...
Peter Holman discusses and critiques Roland Jackson\u27s Dictionary-Guide to performance-practice-re...
Buja reviews Boorman\u27s 2005 book. Boorman, Stanley. Studies in the Printing, Publishing and Perfo...
Review of: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Ga...
Just where does one advise students of performance to go to for an introductory text on the study of...
Roger Freitas firmly situates his book, Portrait of a Castrato: Politics, Patronage, and Music in th...
Sparks discusses the various problems and conventions in guitar Performance through the nineteenth a...
Jackson critiques and discusses Haynes\u27 book on the history of early music performance
This textbook offers a refreshing vision of music from the Iberian Peninsula, delving into its compl...
With the recent appearance of more authentic ethnic music in music curriculum series, as well as the...
A review of Los Romeros: Royal Family of the Spanish Guitar by Walter Aaron Clark
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
Review of: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by...
Rasch reviews two books on musical instruments. Campbell, Murray, Clive Greated, and Arnold Myers. ...
Peter Walls discusses and critiques Jaap Schröder\u27s guide on how to perform Johann Sebastian Bach...
Peter Holman discusses and critiques Roland Jackson\u27s Dictionary-Guide to performance-practice-re...
Buja reviews Boorman\u27s 2005 book. Boorman, Stanley. Studies in the Printing, Publishing and Perfo...
Review of: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Ga...
Just where does one advise students of performance to go to for an introductory text on the study of...
Roger Freitas firmly situates his book, Portrait of a Castrato: Politics, Patronage, and Music in th...
Sparks discusses the various problems and conventions in guitar Performance through the nineteenth a...
Jackson critiques and discusses Haynes\u27 book on the history of early music performance
This textbook offers a refreshing vision of music from the Iberian Peninsula, delving into its compl...
With the recent appearance of more authentic ethnic music in music curriculum series, as well as the...
A review of Los Romeros: Royal Family of the Spanish Guitar by Walter Aaron Clark
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
Review of: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by...