This paper explores the relationship between sexuality and the undead from Victorian England to present day vampire narratives. Specifically, I examine the shift in the vampire narrative from the frightening Dracula to the extremely sexualized nature of vampires in the early twenty-first century. My results are concerned with the nature and exchange of fluids between vampire bodies and their victims (or lovers) and the power associated with that exchange. My conclusion implies that re-masculating the vampire is a return to a patriarchal dominant discourse promulgates the heteronormative status quo, unlike their early predecessors, which tend to undermine heteronormative sexuality
This thesis aims to investigate Sheridan Le Fanu’s “Carmilla” (1872) and Bram Stoker’s Dracula (1897...
Bram Stoker’s Dracula reflects the Victorian fear of reverse colonization by the “Other” or the encr...
What might one make of the contemporary vampire\u27s tentative assimilation into the mainstream, as ...
This paper explores the relationship between sexuality and the undead from Victorian England to pres...
This thesis paper gives a brief history of the vampire narrative and its role in representing the co...
With its roots in Eastern Europe and rapidly spreading to Western society in the past few hundred ye...
The vampire is one of the most powerful and enduring archetypes handed down to us by nineteenth-cent...
The existing canon of scholarship on Dracula asserts that the sexually aggressive female vampires ar...
Although vampire lore has existed in various communities, countries, and times, the stereotypical cr...
No monster has changed over time as much as the vampire, from its haunting presence in Gothic horror...
While the term sadomasochism might conjure cursory images of whips, chains, and leather-clad fetishi...
Vampires have recently established an extremely visible space in popular culture, especially among w...
It is now an almost foregone conclusion that classic depictions of vampirism resonate with contempor...
In this thesis, I examine how the archetype of the vampire in Western literature continues to evolve...
This thesis is concerned with the way in which the figure of the vampire is used by some authors of ...
This thesis aims to investigate Sheridan Le Fanu’s “Carmilla” (1872) and Bram Stoker’s Dracula (1897...
Bram Stoker’s Dracula reflects the Victorian fear of reverse colonization by the “Other” or the encr...
What might one make of the contemporary vampire\u27s tentative assimilation into the mainstream, as ...
This paper explores the relationship between sexuality and the undead from Victorian England to pres...
This thesis paper gives a brief history of the vampire narrative and its role in representing the co...
With its roots in Eastern Europe and rapidly spreading to Western society in the past few hundred ye...
The vampire is one of the most powerful and enduring archetypes handed down to us by nineteenth-cent...
The existing canon of scholarship on Dracula asserts that the sexually aggressive female vampires ar...
Although vampire lore has existed in various communities, countries, and times, the stereotypical cr...
No monster has changed over time as much as the vampire, from its haunting presence in Gothic horror...
While the term sadomasochism might conjure cursory images of whips, chains, and leather-clad fetishi...
Vampires have recently established an extremely visible space in popular culture, especially among w...
It is now an almost foregone conclusion that classic depictions of vampirism resonate with contempor...
In this thesis, I examine how the archetype of the vampire in Western literature continues to evolve...
This thesis is concerned with the way in which the figure of the vampire is used by some authors of ...
This thesis aims to investigate Sheridan Le Fanu’s “Carmilla” (1872) and Bram Stoker’s Dracula (1897...
Bram Stoker’s Dracula reflects the Victorian fear of reverse colonization by the “Other” or the encr...
What might one make of the contemporary vampire\u27s tentative assimilation into the mainstream, as ...