Add to ORKGOn first reflection, none of the usual categories seem to apply to Gilles Deleuze\u27s work in film theory. In fact, Deleuze\u27s texts appear willfully to frustrate the expected set of questions: What is the relation of Deleuze\u27s texts to film theory? What is their relation to semiotics, to the taxonomy and methodology of semiotics as it has been rehearsed by post-structuralist film theoreticians
In an interview conducted earlier this year, media theorist Alexander Galloway declared that it is â...
The purpose of the present study was to initiate a semiotic re-examination of Chinese cinema. Such r...
© 2015 Dr. Thomas Robert SutherlandThis thesis examines the work of philosopher Gilles Deleuze in re...
In his two Cinema books, Gilles Deleuze updates his lifelong philosophical inquiry using semiotic te...
This paper studies the role of the semiotic discussions of Charles Sanders\ud Peirce, the American p...
In this essay I will explain Deleuze’s semiotics in detail. There is a paucity of texts concerned wi...
In his books on the cinema, Gilles Deleuze describes the sign as an expression of semiotic matter. ...
In this essay I analyse the different modalities of thought that occur between philosophy and moving...
By means of Vivian Sobchack's semiotic film phenomenology, we may examine our immediate perceptual a...
Mgr. Martin Charvát Deleuze's asignifying semiotics Disertační práce Abstract: In the thesis I am tr...
ABSTRACT This study invites the reader to a dialogue between the structuralist tradition and the pos...
Gilles Deleuze's theories of film have long held a strange position within the fields of film studie...
From Peirce, a sign represents something other than itself, an object, for some third; from Deleuze,...
Which modernism or modernisms circulate in Deleuze’s two-volume work on cinema? Can one meaningfully...
Since their publication, Deleuze’s Cinema 1: The Movement-Image (French 1983, English 1986) and Cine...
In an interview conducted earlier this year, media theorist Alexander Galloway declared that it is â...
The purpose of the present study was to initiate a semiotic re-examination of Chinese cinema. Such r...
© 2015 Dr. Thomas Robert SutherlandThis thesis examines the work of philosopher Gilles Deleuze in re...
In his two Cinema books, Gilles Deleuze updates his lifelong philosophical inquiry using semiotic te...
This paper studies the role of the semiotic discussions of Charles Sanders\ud Peirce, the American p...
In this essay I will explain Deleuze’s semiotics in detail. There is a paucity of texts concerned wi...
In his books on the cinema, Gilles Deleuze describes the sign as an expression of semiotic matter. ...
In this essay I analyse the different modalities of thought that occur between philosophy and moving...
By means of Vivian Sobchack's semiotic film phenomenology, we may examine our immediate perceptual a...
Mgr. Martin Charvát Deleuze's asignifying semiotics Disertační práce Abstract: In the thesis I am tr...
ABSTRACT This study invites the reader to a dialogue between the structuralist tradition and the pos...
Gilles Deleuze's theories of film have long held a strange position within the fields of film studie...
From Peirce, a sign represents something other than itself, an object, for some third; from Deleuze,...
Which modernism or modernisms circulate in Deleuze’s two-volume work on cinema? Can one meaningfully...
Since their publication, Deleuze’s Cinema 1: The Movement-Image (French 1983, English 1986) and Cine...
In an interview conducted earlier this year, media theorist Alexander Galloway declared that it is â...
The purpose of the present study was to initiate a semiotic re-examination of Chinese cinema. Such r...
© 2015 Dr. Thomas Robert SutherlandThis thesis examines the work of philosopher Gilles Deleuze in re...