The 15th-c. dance treatises of Domenico da Piacenza, Antonio Cornazano, and Guglielmo Ebreo da Pesaro contain a theoretical section in which the ratios of the tempi between the four misure of the balli are discussed. This information allows us to work out metronome markings for the four misure. When proportion signs (or mensuration signs used as proportion signs) appear in the ballo melodies, the ratio represented by these signs relates to the preceding misura
For dance practices in Italy and the rest of Europe, the 16th century was a time of change. Perhaps ...
Musica, danza, e relazioni con la spettacolarità dei riti carnevaleschi medievali sono componenti tr...
Analysis of various sources from Late Antiquity to the early Middle Ages, with a focus on texts by C...
Dance is an art form that is traditionally taught through physical demonstration. Choreography is fo...
Objet d'histoire à part entière, la danse est un « fait social total » à l'interface du corps et de ...
The end of the 15th and the beginning of the 16th century witnessed intense structural changes in th...
In the 16th Century, ladies and gentlemen of noble birth were taught from an early age the art of da...
En los textos italianos del siglo xv sobre el baile en la corte se encuentra la expresión, bastante...
The consolidated dance-music couple, so rooted in the tradition of Western dance to the present day,...
Examination of several sixteenth century Italian court balli that demonstrate the balance between gr...
This study focuses on the danced suites described in the manuals of two prominent sixteenth-century ...
Ballets with the designation fantastico first appeared in Italy’s theaters during the Risorgimento p...
The purpose of the article is to study rare editions on the theory and practice of ballroom choreogr...
The purpose of the article is to study rare editions on the theory and practice of ballroom choreogr...
Silvestro Ganassi’s Fontegara (Venice 1535) has long challenged our understanding of the sixteenth-c...
For dance practices in Italy and the rest of Europe, the 16th century was a time of change. Perhaps ...
Musica, danza, e relazioni con la spettacolarità dei riti carnevaleschi medievali sono componenti tr...
Analysis of various sources from Late Antiquity to the early Middle Ages, with a focus on texts by C...
Dance is an art form that is traditionally taught through physical demonstration. Choreography is fo...
Objet d'histoire à part entière, la danse est un « fait social total » à l'interface du corps et de ...
The end of the 15th and the beginning of the 16th century witnessed intense structural changes in th...
In the 16th Century, ladies and gentlemen of noble birth were taught from an early age the art of da...
En los textos italianos del siglo xv sobre el baile en la corte se encuentra la expresión, bastante...
The consolidated dance-music couple, so rooted in the tradition of Western dance to the present day,...
Examination of several sixteenth century Italian court balli that demonstrate the balance between gr...
This study focuses on the danced suites described in the manuals of two prominent sixteenth-century ...
Ballets with the designation fantastico first appeared in Italy’s theaters during the Risorgimento p...
The purpose of the article is to study rare editions on the theory and practice of ballroom choreogr...
The purpose of the article is to study rare editions on the theory and practice of ballroom choreogr...
Silvestro Ganassi’s Fontegara (Venice 1535) has long challenged our understanding of the sixteenth-c...
For dance practices in Italy and the rest of Europe, the 16th century was a time of change. Perhaps ...
Musica, danza, e relazioni con la spettacolarità dei riti carnevaleschi medievali sono componenti tr...
Analysis of various sources from Late Antiquity to the early Middle Ages, with a focus on texts by C...