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BaroqueMusic genre
A survey, with a bibliography, of published research on French Baroque performance practice that appeared during the period 1978-88
The genre of the earliest French violin sonatas (c.1692 – 1723) has been subjected to deficiency ana...
Despite continuing scholarship into performance practice of the Baroque and Classical eras, confusio...
Focusing on historically informed flute performance practice in an ensemble setting, this essay expl...
In recent years, much debate has ensued regarding the level of consideration that should be given to...
This master’s thesis aims to shed light on the performance of French baroque lute music from the per...
The paper summarises the lessons and conclusions of a large study of over 100 recordings of Johann S...
The purpose of the study is to provide a performance practice guide of selected works from the Baroq...
This study explores performance practices used in French choral music of the late Baroque era, using...
During the twentieth century, the renewed interest in Baroque music and the growing appeal of vocal ...
David Schulenberg discusses and reviews Walls\u27 2011 work. Walls, Peter, ed. Baroque Music, The Li...
A bibliography concerning works published in the field of historical performance practice in 1990
In this paper, I discuss performance as a research instrument in Western European classical music. ...
While extensive research has been published on the general subjects of Purcell and his odes, the spe...
A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURASOPRANO REPERTOIRE IN FOUR EARLY OPERASBY JEAN-PHILIPPE...
French opera has a special place in the baroque canon. Although it has roots in the Italian traditio...
The genre of the earliest French violin sonatas (c.1692 – 1723) has been subjected to deficiency ana...
Despite continuing scholarship into performance practice of the Baroque and Classical eras, confusio...
Focusing on historically informed flute performance practice in an ensemble setting, this essay expl...
In recent years, much debate has ensued regarding the level of consideration that should be given to...
This master’s thesis aims to shed light on the performance of French baroque lute music from the per...
The paper summarises the lessons and conclusions of a large study of over 100 recordings of Johann S...
The purpose of the study is to provide a performance practice guide of selected works from the Baroq...
This study explores performance practices used in French choral music of the late Baroque era, using...
During the twentieth century, the renewed interest in Baroque music and the growing appeal of vocal ...
David Schulenberg discusses and reviews Walls\u27 2011 work. Walls, Peter, ed. Baroque Music, The Li...
A bibliography concerning works published in the field of historical performance practice in 1990
In this paper, I discuss performance as a research instrument in Western European classical music. ...
While extensive research has been published on the general subjects of Purcell and his odes, the spe...
A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURASOPRANO REPERTOIRE IN FOUR EARLY OPERASBY JEAN-PHILIPPE...
French opera has a special place in the baroque canon. Although it has roots in the Italian traditio...
The genre of the earliest French violin sonatas (c.1692 – 1723) has been subjected to deficiency ana...
Despite continuing scholarship into performance practice of the Baroque and Classical eras, confusio...
Focusing on historically informed flute performance practice in an ensemble setting, this essay expl...
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