Add to ORKG1763 English libretto for Thomas Arne's opera Artaxerxes. Thomas Arne most likely wrote his own libretto for Artaxerxes, which enjoyed a successful run at Covent Garden beginning on 2 February 1762. Artaxerxes follows the structure of Metastasio’s Italian libretto on the same subject; no other English-language opera has been recognized as following the principles of Metastasian opera seria
English comic operas such as Love in a Village (1762), Twelve Comic Operas of William Shield (1782-1...
The operas of Stephen Storace (1762-96), house composer at the Theatre Royal, Drury Lane in London, ...
The English comic opera, which dominated the London theaters during the last forty years of the eigh...
The libretto is a translation by the composer of Metastasio's Artaserse. Cf. Loewenberg. Annals of o...
Imaging Mandane from Arne’s Artaxerxes: character, costume, monument Michael Burden New College, O...
The libretti by the Viennese court poet Pietro Metastasio dominated the Continental and London music...
"Love in a Village" (1762), the most popular English comic opera of the eighteenth century, is now t...
1782 vocal score of Thomas Arne's opera Thomas and Sally, or the Sailors return. Dramatic pastoral ...
Publisher’s note: “Although Arne’s Judith of 1761 was commended by Charles Dibdin as an oratorio ‘t...
London's opera season of 1746-47 must have seemed strange to the audience at the opera house. Under ...
It is impossible to understand eighteenth-century opera without considering the work and legacy of P...
Available for non-commercial, internal use by students, staff, and faculty at the University of Mich...
Discusses the opera librettos of Pietro Metastasio, analyzing various examples. The opera Astrea pla...
L'eroe cinese is a very important work in the history of operatic theatre in Warsaw (that was a cult...
Of course, many scholars working on opera and music theatre well understand the nature and origins o...
English comic operas such as Love in a Village (1762), Twelve Comic Operas of William Shield (1782-1...
The operas of Stephen Storace (1762-96), house composer at the Theatre Royal, Drury Lane in London, ...
The English comic opera, which dominated the London theaters during the last forty years of the eigh...
The libretto is a translation by the composer of Metastasio's Artaserse. Cf. Loewenberg. Annals of o...
Imaging Mandane from Arne’s Artaxerxes: character, costume, monument Michael Burden New College, O...
The libretti by the Viennese court poet Pietro Metastasio dominated the Continental and London music...
"Love in a Village" (1762), the most popular English comic opera of the eighteenth century, is now t...
1782 vocal score of Thomas Arne's opera Thomas and Sally, or the Sailors return. Dramatic pastoral ...
Publisher’s note: “Although Arne’s Judith of 1761 was commended by Charles Dibdin as an oratorio ‘t...
London's opera season of 1746-47 must have seemed strange to the audience at the opera house. Under ...
It is impossible to understand eighteenth-century opera without considering the work and legacy of P...
Available for non-commercial, internal use by students, staff, and faculty at the University of Mich...
Discusses the opera librettos of Pietro Metastasio, analyzing various examples. The opera Astrea pla...
L'eroe cinese is a very important work in the history of operatic theatre in Warsaw (that was a cult...
Of course, many scholars working on opera and music theatre well understand the nature and origins o...
English comic operas such as Love in a Village (1762), Twelve Comic Operas of William Shield (1782-1...
The operas of Stephen Storace (1762-96), house composer at the Theatre Royal, Drury Lane in London, ...
The English comic opera, which dominated the London theaters during the last forty years of the eigh...