The purpose of this investigation is to explore the possibilities of manipulating clay in three distinct ways to effectively show that clay objects were at one time moist and pliable. The techniques used are faceting while wet, manipulating a variety of additions, applying different glazing techniques, and three separate firing methods. In addressing the problem, the following concerns were considered: (a) Which of the pieces made best expresses my aesthetic concerns? (b) Which firing method, oxidation, reduction or atmospheric, best illustrates these concerns? (c) Which glazing technique was most successful? In an attempt to explore and solve these problems, a series of twenty pieces were produced. A visual record of slides showing individ...
Each piece of clay deals with its reaction to several particular processes induced upon it. The raw ...
The author interest of aesthetic potential from many simple objects near him is a new quest to enric...
The application of glazes on pottery became common in Western Europe from the late 12th century / ea...
The clay body used to develop the thesis forms was composed of one part Hawthorn clay, one part Jord...
The body of work created during this exploration indicates that painting approach can actively integ...
Includes bibliographical references.Includes illustrations.The art program in the public school is o...
This project expands the threshold of traditional ceramic thought by combining the plasticity of cla...
There are two aims in this thesis: the first is to ascertain something of the physical and chemical ...
In this research work, clay deposits located at Tissamaharama region vrcji investigated for mineralo...
One of the distinguishing characteristics of wheel-thrown pottery is the horizontal surface banding ...
The technique of replica casting of ceramic materials and the various methods of mounting and examin...
The purpose for this research was to investigate the feasibility of using rock salt for glazing a cl...
Includes bibliographical references (pages 43-43)The problem to be solved was to use materials in co...
In this thesis I have focused on painting of ceramics, researching different painting processes and ...
A clay\u27s essential character is its plasticity, whether it is to be used for common brick purpose...
Each piece of clay deals with its reaction to several particular processes induced upon it. The raw ...
The author interest of aesthetic potential from many simple objects near him is a new quest to enric...
The application of glazes on pottery became common in Western Europe from the late 12th century / ea...
The clay body used to develop the thesis forms was composed of one part Hawthorn clay, one part Jord...
The body of work created during this exploration indicates that painting approach can actively integ...
Includes bibliographical references.Includes illustrations.The art program in the public school is o...
This project expands the threshold of traditional ceramic thought by combining the plasticity of cla...
There are two aims in this thesis: the first is to ascertain something of the physical and chemical ...
In this research work, clay deposits located at Tissamaharama region vrcji investigated for mineralo...
One of the distinguishing characteristics of wheel-thrown pottery is the horizontal surface banding ...
The technique of replica casting of ceramic materials and the various methods of mounting and examin...
The purpose for this research was to investigate the feasibility of using rock salt for glazing a cl...
Includes bibliographical references (pages 43-43)The problem to be solved was to use materials in co...
In this thesis I have focused on painting of ceramics, researching different painting processes and ...
A clay\u27s essential character is its plasticity, whether it is to be used for common brick purpose...
Each piece of clay deals with its reaction to several particular processes induced upon it. The raw ...
The author interest of aesthetic potential from many simple objects near him is a new quest to enric...
The application of glazes on pottery became common in Western Europe from the late 12th century / ea...