This paper aims at enlightening the role played by illustrations in the reading of plays as means to an improved meaning assessment. Looking at the pictures, students are asked to perform, through improvisation, what is depicted in the image. This way, they engage in a mode of embodied reading that drives a new range of clues for constructing textual meaning. Students not only rely on internal processes to elaborate on the text’s meaning but attain to bodily experiences to achieve a personal understanding of the plot, thus arguing for the relevance of “embodied cognition” and “embodied pedagogy” as core concepts
This dissertation investigates meaning-making in children’s joint-reading transactions with literary...
In Children’s literature the text is almost always paired with vivid illustration to appeal to child...
Drawing and narrative are semiotic tools for children's communication of thoughts and feelings, both...
Through a precise reflection on embodiment cognition which has restored depth of analysis to the bod...
Objective: In this paper we ask what can be learnt by being-with children as they engage in imaginat...
An experiment compared readers ' use of analogic and pictorial illustrations for understanding ...
Over the course of the 2007/2008 school year, I visited three classrooms to investigate the effectiv...
This study explores storybook illustrations in learning word meanings among English learners in a un...
This paper describes how 5-to-8 year old children engaged in multi-modal meaning-making through draw...
A good children's book does not only have an authentic story, but the illustrations also contribut...
This article offers a multimodal analysis of spontaneous, improvisatory interactions between pre-ser...
Children's responses to picture books are documented through this qualitative research involving a c...
In this chapter art and play are considered children’s ‘first languages’, and therefore are placed a...
In this chapter art and play are considered children’s ‘first languages’, and therefore are placed a...
This article reflects on the specific literary identity of illustrated novels in children’s literatu...
This dissertation investigates meaning-making in children’s joint-reading transactions with literary...
In Children’s literature the text is almost always paired with vivid illustration to appeal to child...
Drawing and narrative are semiotic tools for children's communication of thoughts and feelings, both...
Through a precise reflection on embodiment cognition which has restored depth of analysis to the bod...
Objective: In this paper we ask what can be learnt by being-with children as they engage in imaginat...
An experiment compared readers ' use of analogic and pictorial illustrations for understanding ...
Over the course of the 2007/2008 school year, I visited three classrooms to investigate the effectiv...
This study explores storybook illustrations in learning word meanings among English learners in a un...
This paper describes how 5-to-8 year old children engaged in multi-modal meaning-making through draw...
A good children's book does not only have an authentic story, but the illustrations also contribut...
This article offers a multimodal analysis of spontaneous, improvisatory interactions between pre-ser...
Children's responses to picture books are documented through this qualitative research involving a c...
In this chapter art and play are considered children’s ‘first languages’, and therefore are placed a...
In this chapter art and play are considered children’s ‘first languages’, and therefore are placed a...
This article reflects on the specific literary identity of illustrated novels in children’s literatu...
This dissertation investigates meaning-making in children’s joint-reading transactions with literary...
In Children’s literature the text is almost always paired with vivid illustration to appeal to child...
Drawing and narrative are semiotic tools for children's communication of thoughts and feelings, both...