Hong Kong Literature And Identity：A Case Study of Liu Yi-Chang、Xi Xi and Liang Bing-Jun

[[abstract]]香港由於其移民城市與殖民地的混雜背景，文化身分歷來是作家書寫的重要課題之一。本論文以香港文學中的文化身分問題切入，嘗試從三位大量書寫香港的作家──劉以鬯、西西與梁秉鈞之作品，分析他們對文化身分的思考，或於文學形式的表現，以窺三種看待香港的方式。 香港的現代主義文學自一九四九年隨著文化人遷港後，就離不開文化身分的問題。劉以鬯是這個時期的南來作家之一，從他的作品中清楚地表現了雅（現代主義）/俗、上海/香港這樣的文化景觀，可說反映了當時南來作家普遍看待香港的心態。西西則於本土意識茁長的七○年代，以《我城》表達了對於香港的認同，其後又以瑰奇的手法轉譯城市意象，為恆處文化邊緣的香港發聲。梁秉鈞則以「日常性」、「越界」作為書寫香港的策略，以開放性、能動性作為香港的文化定位，以抗衡權力敘事以及各種特定眼光的視點。 香港文化雖是許多異質的組成融合，但三個帶著不同文化背景的作家在共同的文化空間創作、俱經六十年代的現代主義思潮薰染，並且同樣需要面對這個雅俗混雜的文化空間，因而藉由其文本分析，可發現在香港──一個類似後現代情境的空間之下，他們如何去開發出自身的書寫之道，從中亦可一窺香港文學的「香港性」之一──一種恆處雅/俗之間的交涉與游移。[[abstract]]Due to the immigration and colonization history,culture identity has always been an important subject on Hong Kong’s writing.This essay attempts to do the research on Hong Kong writers’ thought and literary expression to observe three ways of view of Hong Kong by analyzing their works, Since 1949 the intellectuals from Shang Hai migrating to Hong Kong, with the developing modernism in Shang Hai,Hong Kong's modernism literature has been inseparable from culture identity subject. Liu Yi-chang is the intellectual of this period. His work clearly demonstrated the high(modernism) / mass, Shanghai / Hong Kong's cultural dualistic landscape which reflect the mentality of most intellectuals from China mainland at 1949. Xi-Xi’s fiction “My City” is a representive work of 70’s which the local identity of Hong Kong was growing.Among over 10 years she had continued to voice marginal culture state for Hong Kong by creating lots of city parable reffering to Honk Kong.The emphasis on “usuality", "crossing-field" is the strategy of Liang Bing-Jun’s Hong Kong writing.His stand on Hong Kong is to keep the open and dynamic motive power to prevent from “marginal hegemony”, also against the specific points of view to Hong Kong. Hong Kong culture is composed of many heterogeneous integration, just as the three writers’s different cultural backgrounds,but all of them in common have been creating works under the same culture space, experiencing 60’s modernism acquisition, facing the mixed and complicated culture contexts. So this essay also attempts to research into their adjustment to Hong Kong’s writing and the way to perceive Hong Kong to conclude that the speciality of Hong Kong literature: the negotiation or sway state between high and mass culture.[[note]]碩