A cinematographer\u27s perspective regarding gamma and contrast manipulation in video and film is given. In film, a selective exposure can be used; the negative characteristic is the cinematographer\u27s creative tool. The use of film as a video medium is considered, both negative and positive transfer. Contrast reproduction in the video medium is explained, and film and video gammas are compared. Also compared with the film gamma is the gamma obtained with an HDTV camera. Future trends are sketched, and current HDTV specifications are compared with the characteristics of film. Predictability and consistency of results, that is, the final image on the screen, are the cinematographer\u27s foremost concern
With the advent of digital technologies, gradually setting traditional media for Motion Picture and ...
International audience<p>At the time of rapid technological progress and uptake of High Dynamic Rang...
In this rst chapter, we describe what is a video signal, how is it captured and perceived, how is it...
The luminance reproduction curve of a TV system is characterized by a power function over a signific...
Three methods of color processing for HDTV-conventional, linear, and CIELAB coding-have been investi...
The effect of gamma, the exponent of the power function that characterizes luminance transfer, on pe...
The continuous technological development directly affects the possibilities available for digital ci...
High Dynamic Range (HDR) imaging is the latest approach to capture and display the real world lifeli...
\u3cbr/\u3eVideo processing demands are strongly influenced by the display device. The revolution in...
This paper deals with the technical parameters of digital video recording devices that are suitable ...
We have studied the influence of the parameter gamma on the perception of digital X-ray images. Gamm...
The system gamma of the imaging pipeline, defined as the product of the encoding and decoding gammas...
Still more than one open question is hidden behind handy formulations like 'telepresence' and 'HDTV-...
The main objective of this paper is to verify test methodologies for assessment high dynamic range (...
High Dynamic Range (HDR) video offers the possibility, for the first time, of capturing, storing, ma...
With the advent of digital technologies, gradually setting traditional media for Motion Picture and ...
International audience<p>At the time of rapid technological progress and uptake of High Dynamic Rang...
In this rst chapter, we describe what is a video signal, how is it captured and perceived, how is it...
The luminance reproduction curve of a TV system is characterized by a power function over a signific...
Three methods of color processing for HDTV-conventional, linear, and CIELAB coding-have been investi...
The effect of gamma, the exponent of the power function that characterizes luminance transfer, on pe...
The continuous technological development directly affects the possibilities available for digital ci...
High Dynamic Range (HDR) imaging is the latest approach to capture and display the real world lifeli...
\u3cbr/\u3eVideo processing demands are strongly influenced by the display device. The revolution in...
This paper deals with the technical parameters of digital video recording devices that are suitable ...
We have studied the influence of the parameter gamma on the perception of digital X-ray images. Gamm...
The system gamma of the imaging pipeline, defined as the product of the encoding and decoding gammas...
Still more than one open question is hidden behind handy formulations like 'telepresence' and 'HDTV-...
The main objective of this paper is to verify test methodologies for assessment high dynamic range (...
High Dynamic Range (HDR) video offers the possibility, for the first time, of capturing, storing, ma...
With the advent of digital technologies, gradually setting traditional media for Motion Picture and ...
International audience<p>At the time of rapid technological progress and uptake of High Dynamic Rang...
In this rst chapter, we describe what is a video signal, how is it captured and perceived, how is it...