Introduction Traditionally, medieval tomb imagery was concerned with the expression of hope for the salvation of the deceased. Tomb figures of the 13th and 14th centuries in Northern Europe portrayed the deceased in a state of ideal beauty. The hands were folded in prayer, the eyes open, and the face calm, expressing confidence in God\u27s mercy and in salvation... In the last years of the 14th century, a new and strikingly different type of sepulchral monument, the transi tomb, appeared in several places in Northern Europe. On these tombs the traditional idealized portrayal of the deceased was replaced by a gruesome depiction of the physical ravages of death..
The tomb of Philip the Bold, the first Valois duke of Burgundy, was originally installed in the Char...
Christian communities in medieval Islamic Egypt (ca. ninth to twelfth centuries) were active partici...
In 1676 Dame Mary May commissioned her tomb from John Bushnell, a famous Restoration sculptor, and p...
This analysis is on the function of cadaver or transi tombs in the south of England and Germany from...
T. i. transi nagrobnik je tip cerkvenega spomenika, ki naročnika prikazuje v podobi bolj ali manj ra...
This paper examines the ways in which identity in the later Middle Ages could be displayed through t...
This short article contextualizes a subset of Northern European cadaver monuments of the late-\ud Me...
This dissertation collects and examines thirty-five examples of women’s monumental tombs from fiftee...
Comme toute civilisation, l'Occident médiéval confère au tombeau un sens particulier. Basée sur les ...
The facility to choose a tomb-type and burial position was not universally available in the 14th cen...
London's Westminster Abbey. Vienna's Kaisergruft. St. Peter's Basilica. The pyramids of both Egyp...
Fifteenth- and sixteenth-century Portuguese tomb sculptures stand as major artistic accomplishments ...
In Tombs in Early Modern Rome (1400–1600), Jan L. de Jong reveals how funerary monuments, far from s...
This thesis investigates the expression of identity on funerary gravestones from 3 inland regions of...
Unique in its design, the tomb of Margaret of Brabant is one of the last works of sculpture produced...
The tomb of Philip the Bold, the first Valois duke of Burgundy, was originally installed in the Char...
Christian communities in medieval Islamic Egypt (ca. ninth to twelfth centuries) were active partici...
In 1676 Dame Mary May commissioned her tomb from John Bushnell, a famous Restoration sculptor, and p...
This analysis is on the function of cadaver or transi tombs in the south of England and Germany from...
T. i. transi nagrobnik je tip cerkvenega spomenika, ki naročnika prikazuje v podobi bolj ali manj ra...
This paper examines the ways in which identity in the later Middle Ages could be displayed through t...
This short article contextualizes a subset of Northern European cadaver monuments of the late-\ud Me...
This dissertation collects and examines thirty-five examples of women’s monumental tombs from fiftee...
Comme toute civilisation, l'Occident médiéval confère au tombeau un sens particulier. Basée sur les ...
The facility to choose a tomb-type and burial position was not universally available in the 14th cen...
London's Westminster Abbey. Vienna's Kaisergruft. St. Peter's Basilica. The pyramids of both Egyp...
Fifteenth- and sixteenth-century Portuguese tomb sculptures stand as major artistic accomplishments ...
In Tombs in Early Modern Rome (1400–1600), Jan L. de Jong reveals how funerary monuments, far from s...
This thesis investigates the expression of identity on funerary gravestones from 3 inland regions of...
Unique in its design, the tomb of Margaret of Brabant is one of the last works of sculpture produced...
The tomb of Philip the Bold, the first Valois duke of Burgundy, was originally installed in the Char...
Christian communities in medieval Islamic Egypt (ca. ninth to twelfth centuries) were active partici...
In 1676 Dame Mary May commissioned her tomb from John Bushnell, a famous Restoration sculptor, and p...