THE PHENOMENON, USE AND NOTATION OF FREE TECHNIQUES IN THE HISTORY OF WESTERN MUSIC

Namen pričujoče diplomske naloge je predstavitev širokega pojma svobodnih izvajalskih praks ali improvizacije v glasbeni umetnosti zahodne glasbe. V tem okviru želi naloga prikazati konkretne primere glasbenih praks in oblik, ki skozi prizmo posameznih zgodovinskih obdobij osvetljujejo sam pojav, uporabo in zapis svobodnih izvajalskih tehnik. Delo obravnava definicijo, razumevanje in razvoj samega pojma improvizacije, ki se je skozi številne muzikološke študije spreminjal. Z analizo in raziskovanjem kompozicijskih tehnik se delo posveča načinom uporabe in herminevtike improvizacije v glasbenih obdobjih srednjega veka, renesanse, baroka, klasicizma, romantike in glasbe 20. stoletja.The purpose of this thesis is to present a broad concept of free practice for executive or improvisation in the music art of the western music. In this context, the task of this work is to show concrete examples of musical practice and forms through the prism of historical periods illuminate the phenomenon itself, use and record of executive free techniques. The work deals with the definition, understanding and development of the concept of improvisation, which varies through a series of musicological studies. With the analysis and research of compositional techniques the work focuses on use and hermenautics of improvisation in the music of the medieval period, the Renaissance, baroque, classical, romantic and 20th century music