ABSTRACT PAINTING - MARIJAN TRŠAR

V diplomskem delu »Abstraktno slikarstvo – Marijan Tršar« je bil raziskan Tršarjev način ustvarjanja njegovih abstraktnih slik. Diplomsko delo je sestavljeno iz dveh delov, iz teoretičnega in praktičnega dela, pri čemer je praktični del vsebinsko vezan na teoretični del diplomskega dela. Za razumevanje fenomena abstraktnega slikarstva sem v teoretičnem poglavju najprej pojasnila zgodovinski razvoj abstraktnega slikarstva. Tako spoznamo položaj, v katerem se je znašel Marijan Tršar. V diplomskem delu je poudarek predvsem na Tršarju, zato obravnavam njegovo slikarsko pot, njegov pogled na abstrakcijo ter dodajam interpretacijo njegovih abstraktnih del, ki so ključnega pomena za izhodišče mojih dejanskih rezultatov pri praktičnem delu. Osrednji cilj naloge je v praktičnem poglavju, kjer sem podobno upodabljala abstraktne slike, kot jih je izvedel Tršar. Zanimal me je predvsem njegov pristop z novo tehniko ustvarjanja, to je s tehniko polivanja in prelivanja, ki sem ju uporabljala v svojem ustvarjalnem procesu. Za dodatno popestritev lastnih slik sem izvedla še tehniki kapljanja in škropljenja ter tako slikam dodala življenje. Sledi analiza lastnih likovnih del in predstavitev konstrukcije osebnega ustvarjalnega procesa. Lastna likovna izkušnja je podana za lažje razumevanje osebnega doživetja pri abstraktnem ustvarjanju.The diploma thesis, titled »Abstract painting – Marijan Tršar« researchers Tršar\u27s approach to creating abstract paintings. It comprises of two parts, the theoretical and the practical part. The practical part is thematically linked to the theoretical part of the thesis. To better understand the phenomenon of abstract painting, the theoretical part first examines the historical development of abstract painting. This helps us understand the position Tršar found himself in. The diploma thesis focuses on Tršar, which is why it explains his artistic development, his view of abstraction and the interpretation of his abstract works, which are of key importance for the results in the practical part of the thesis. In the practical part I use the similar abstract painting process as used by Tršar. I was most interested in his new technique of creating paintings, that is the spilling and iridescence technique, which I used in my own creative process. To add life to my paintings I have also used the dripping and sprinkling techniques. The practical part continues with the analysis of my own works and an introduction to the construction of my own creative process. My own artistic experience is included for better understanding of the emotional process in abstract painting creation