ALOJZIJ REMEC\u27S DRAMATIC PIECES

Alojzij Remec je eden manj raziskanih in opaznih predstavnikov slovenskega ekspresionizma. Spada med slovenske književnike, ki so v novih stilnih pojavitvah videli priložnosti za razvoj slovenske literature in s tem kulture slovenstva. Kljub precejšnjemu odmevu tragedije Magda, njeni aktualnosti, nepomirljivosti nasprotij med konzervatizmom in liberalizmom, je večina njegovih besedil neraziskana in zato zanimivo področje za odkrivanje novih spoznanj o začetkih razvoja sodobne slovenske dramatike. Vprašanje zabavnega ali umetnostnega gledališča je Alojzij Remec rešil z združitvijo obojega. Usode njegovih posameznikov so podobe življenja številnih po deželi. Življenje malega človeka je s postavitvijo na oder postalo del umetnosti, večnosti. Njegov tip dramatike je v osnovi verističen, vendar v besedilih, na prvi pogled preprostih, najdemo globlje pomene, ki se nanašajo na bistvena vprašanja človekove eksistence. Analize in interpretacije njegovih dramskih besedil razkrivajo mesijanskega ekspresionista, toda ne zgolj zaradi zgodnjega ustvarjanja pri katoliškem ekspresionističnem gibanju ali zaradi njegovega vztrajanja v krščanski idealistični etiki, ki veleva, da naj umetnost človeka usmerja k dobremu in pravilnemu, ampak tudi zaradi približanja motivike apokaliptičnega trpljenja, ki ga pomirja obljuba novega življenja. Dramska besedila Alojzija Remca so se izkazala za pomemben vir za spoznavanje obdobja slovenskega ekspresionizma in problemsko aktualne dramatike.Alojzij Remec is one of the least researched and noticed representatives of Slovenian expressionism. He is one of the Slovenian writers, who saw an opportunity in the new stylistic appearances for the development of Slovenian literature and thereafter the Slovenian culture. Despite considerable response to the tragedy Magda, its actuality and irreconcilable contrasts between conservatism and liberalism, most of his works are left unresearched and therefore represent an interesting area to discover new ideas about the beginnings of the development of modern Slovenian drama. Alojzij Remec solved the question of entertaining or artistic theatre by combining them both. The destinies of his characters are reflections of numerous country lives. By putting the life of the ordinary person to stage it became a part of the art, a part of eternity. His type of drama is veristic in its base, but in the texts, which seem simple at first sight, we can find deeper meanings, which refer to the essential questions of human existence. Analyses and interpretations of his drama texts are revealing a messianic expressionist, but not only because of his early creation in the catholic expressionistic movement or due to his insistence in the catholic idealistic ethic, which orders that art should guide a person towards good and correctness, but as well because of the approaching of the distinctive features of apocalyptic suffering, which is calmed down by the promise of a new life. Alojzij Remec\u27s dramatic pieces proved to be an important source in the study of the period of Slovenian expressionism and the problem-relevant drama