THE AUTHOR\u27S INFLUENCE ON THE DOCUMETARY PORTRAIT

Znano je, da dokumentarni filmi nikoli niso prikazovali realnosti. Za vsakim filmom namreč stoji avtor, ki želi nekaj sporočiti. Tako je tudi z dokumentarnimi portreti. Kje in kakšna je vloga avtorja v procesu izdelave dokumentarnega portreta je predmet diplomske naloge. Prvi del povzema zgodovino dokumentarnega filma, ga definira in klasificira, v nadaljevanju pa je predstavljena vloga avtorja v pred-produkciji, produkciji in post-produkciji dokumentarnega portreta, glede na uporabljeno reprezentacijo. Diplomskemu delu je priložen kratek dokumentarni portret Zadeta od lajfa! ki sem ga naredila kot neobvezni del naloge.(zaradi velikosti datoteke je fiil dosegljiv pri tiskani inačici)It is well known that documentary films have never represented reality. Because there is an author behind each film who is trying to communicate something. The same goes for documentary portraits. This work explores the role of an author within different production stages in the process of making a documentary portrait. The first part gives a short historical overview on documentary film evolution, its definition and classification. The second part then deals with the author’s role in each production stage of a documentary film, depending on different modes of representation used. Attached to the work is a copy of the short documentary portrait “Zadeta od lajfa!”(High on life!), which I have made as an non-obligatory part of this diploma work.(available in print version only