Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Drawing and composition.--Textures, surfaces, and brush-work.Mode of access: Internet
First published at the Claredon Press, Oxford, 1870.Inaugural.--The relation of art to religion.--Th...
Final four pages contain a list of art publications available from the publisher.Mode of access: Int...
Considers, in a chatty way, not technique and materials, but general principles, "basic studies whic...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Dr...
Art for art's sake.-Color.-Tone and light-and-shade.-Linear and aërial perspective.-Values.-Drawin...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aëriel perspective.--Values.--Dr...
I. On truth to nature; and style.--II. Imagination and the ideal.--III. Invention.--IV. Taste.--V. D...
1st ser. The philosophy of art. The ideal in art.--2d ser. The philosophy of art in Italy. The philo...
1st ser. The philosophy of art. The ideal in art.--2d ser. The philosophy of art in Italy. The philo...
The classic spirit.--The subject in art.--Design.--Drawing.--Light and shade and color.--Technique.M...
"Thirteenth thousand."I. Inaugural.--II. The relation of art to religion.--III. The relation of art ...
1st ser. The philosophy of art. The ideal in art.--2d ser. The philosophy of art in Italy. The p...
Inaugural -- The relation of art to religion -- The relation of art to morals -- The relation of art...
Inaugural.--The relation of art to religion.--The relation of art to morals.--The relation of art to...
Seven cards of samples from a student's work in the media laid in at end.Mode of access: Internet
First published at the Claredon Press, Oxford, 1870.Inaugural.--The relation of art to religion.--Th...
Final four pages contain a list of art publications available from the publisher.Mode of access: Int...
Considers, in a chatty way, not technique and materials, but general principles, "basic studies whic...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Dr...
Art for art's sake.-Color.-Tone and light-and-shade.-Linear and aërial perspective.-Values.-Drawin...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aëriel perspective.--Values.--Dr...
I. On truth to nature; and style.--II. Imagination and the ideal.--III. Invention.--IV. Taste.--V. D...
1st ser. The philosophy of art. The ideal in art.--2d ser. The philosophy of art in Italy. The philo...
1st ser. The philosophy of art. The ideal in art.--2d ser. The philosophy of art in Italy. The philo...
The classic spirit.--The subject in art.--Design.--Drawing.--Light and shade and color.--Technique.M...
"Thirteenth thousand."I. Inaugural.--II. The relation of art to religion.--III. The relation of art ...
1st ser. The philosophy of art. The ideal in art.--2d ser. The philosophy of art in Italy. The p...
Inaugural -- The relation of art to religion -- The relation of art to morals -- The relation of art...
Inaugural.--The relation of art to religion.--The relation of art to morals.--The relation of art to...
Seven cards of samples from a student's work in the media laid in at end.Mode of access: Internet
First published at the Claredon Press, Oxford, 1870.Inaugural.--The relation of art to religion.--Th...
Final four pages contain a list of art publications available from the publisher.Mode of access: Int...
Considers, in a chatty way, not technique and materials, but general principles, "basic studies whic...