The author died while several chapters of v. 6 were obviously unfinished, but no attempt was made to complete the subject-matter. The work was to have been concluded with a 7th volume discussing the illuminated manuscripts of the period.Vols. 3-4 paged continuously.v. 1. The life of Saxon England in its relation to the arts.--v. 2. Ecclesiastical architecture in England from the conversion of the Saxons to the Norman conquest. Appendix: Index list and map of Saxon churches.--v. 3-4. Saxon art and industry in the pagan period.--v. 5. The Ruthwell and Bewcastle crosses, the Gospels of Lindisfarne, and other Christian monuments of Northumbria; with philological chapters by A. Blyth Webster.--v. 6, pt. 1. Completion of the study of the monument...
This study contemplates the part played by style in the creation of Anglo-Saxon Northumbrian works o...
One of the most important developments in medieval English literary studies since the 1980s has been...
This book takes as its subject the most important kind of surviving post-Reformation church art and ...
The author died while several chapters of v. 6 were obviously unfinished, but no attempt was made to...
v. 1. The life of Saxon England in its relation to the arts. 2d ed. 1926.-- v. 2. Anglo-Saxon archit...
Chapter in Medieval England: An Encyclopedia. First published in 1998, this valuable reference work ...
In almost every parish church in East Sussex there survive examples of commemorative art - ledger st...
Printing in the Anglo-Saxon type began in the mid-sixteenth century in a burst of activity that was ...
This thesis examines the uses of Anglo-Saxon manuscripts in the 150 years immediately following the ...
The Lost Art of the Anglo-Saxon World: the sacred and secular power of embroidery is the first subst...
The conversion of the Anglo-Saxon kingdom of Northumbria produced a nenascence in the arts unequalle...
This study will provide a complete account of the ways in which the Old Testament was visually artic...
Each v. has also special t.-p.Previously issued in four separate parts.v.1-3. The history of the Ang...
Northumbria ha sido tradicionalmente el foco de estudio a la hora de caracterizar el escenario polít...
My poster seeks to explore the function of the Old English Hexateuch (Cotton Claudius BIV) within th...
This study contemplates the part played by style in the creation of Anglo-Saxon Northumbrian works o...
One of the most important developments in medieval English literary studies since the 1980s has been...
This book takes as its subject the most important kind of surviving post-Reformation church art and ...
The author died while several chapters of v. 6 were obviously unfinished, but no attempt was made to...
v. 1. The life of Saxon England in its relation to the arts. 2d ed. 1926.-- v. 2. Anglo-Saxon archit...
Chapter in Medieval England: An Encyclopedia. First published in 1998, this valuable reference work ...
In almost every parish church in East Sussex there survive examples of commemorative art - ledger st...
Printing in the Anglo-Saxon type began in the mid-sixteenth century in a burst of activity that was ...
This thesis examines the uses of Anglo-Saxon manuscripts in the 150 years immediately following the ...
The Lost Art of the Anglo-Saxon World: the sacred and secular power of embroidery is the first subst...
The conversion of the Anglo-Saxon kingdom of Northumbria produced a nenascence in the arts unequalle...
This study will provide a complete account of the ways in which the Old Testament was visually artic...
Each v. has also special t.-p.Previously issued in four separate parts.v.1-3. The history of the Ang...
Northumbria ha sido tradicionalmente el foco de estudio a la hora de caracterizar el escenario polít...
My poster seeks to explore the function of the Old English Hexateuch (Cotton Claudius BIV) within th...
This study contemplates the part played by style in the creation of Anglo-Saxon Northumbrian works o...
One of the most important developments in medieval English literary studies since the 1980s has been...
This book takes as its subject the most important kind of surviving post-Reformation church art and ...