Considers, in a chatty way, not technique and materials, but general principles, "basic studies which must be pursued industriously before one can hope to paint correctly or produce a picture that shall command the respect of one's fellow students."Mode of access: Internet
Microfilm. Ann Arbor, Mich., University Microfilms [n.d.] (American culture series, Reel 41.9)Mode o...
Later published as part of a work, by the author, with title: A treatise on painting, in four parts....
v. 2. Of the imaginative and theoretic faculties -- v. 4. Of mountain beauty.Mode of access: Interne...
General precepts and examples. Contemporary artists and schools of painting. Technical hints for stu...
Rev. ed. of: On painting in oil and water colours, for landscapes and portraits. 1839.Mode of access...
"This little book represents the fulfilment of a promise to put into permanent form certain imprompt...
"This little book represents the fulfilment of a promise to put into permanent form certain imprompt...
The personal point of view.--Considerations of date.--The influence of race and country.--Schools of...
That certain artists should write on art.--Painting from nature.--Painting from memoranda.--The plac...
v.1. pt.I: Of general principles.--pt.II: Of truth.--v.2. pt.III: Of ideas of beauty.--v.3. pt.IV: O...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Dr...
The classic spirit.--The subject in art.--Design.--Drawing.--Light and shade and color.--Technique.M...
"One of a series of lectures especially prepared for student-members of the Palmer plan."Mode of acc...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Dra...
Art for art's sake.-Color.-Tone and light-and-shade.-Linear and aërial perspective.-Values.-Drawin...
Microfilm. Ann Arbor, Mich., University Microfilms [n.d.] (American culture series, Reel 41.9)Mode o...
Later published as part of a work, by the author, with title: A treatise on painting, in four parts....
v. 2. Of the imaginative and theoretic faculties -- v. 4. Of mountain beauty.Mode of access: Interne...
General precepts and examples. Contemporary artists and schools of painting. Technical hints for stu...
Rev. ed. of: On painting in oil and water colours, for landscapes and portraits. 1839.Mode of access...
"This little book represents the fulfilment of a promise to put into permanent form certain imprompt...
"This little book represents the fulfilment of a promise to put into permanent form certain imprompt...
The personal point of view.--Considerations of date.--The influence of race and country.--Schools of...
That certain artists should write on art.--Painting from nature.--Painting from memoranda.--The plac...
v.1. pt.I: Of general principles.--pt.II: Of truth.--v.2. pt.III: Of ideas of beauty.--v.3. pt.IV: O...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Dr...
The classic spirit.--The subject in art.--Design.--Drawing.--Light and shade and color.--Technique.M...
"One of a series of lectures especially prepared for student-members of the Palmer plan."Mode of acc...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Dra...
Art for art's sake.-Color.-Tone and light-and-shade.-Linear and aërial perspective.-Values.-Drawin...
Microfilm. Ann Arbor, Mich., University Microfilms [n.d.] (American culture series, Reel 41.9)Mode o...
Later published as part of a work, by the author, with title: A treatise on painting, in four parts....
v. 2. Of the imaginative and theoretic faculties -- v. 4. Of mountain beauty.Mode of access: Interne...