AARON is a semi-autonomous art-making program that has been under continuous development for nearly forty years. This paper discusses the origins and development of two critical features in it\u27s most version; a coloring algorithm and an algorithmic shape generator. It concludes that for the foreseeable future, "computational creativity" does not so much describe the creative capabilities of a computer program as the nature of the collaborative relationship between program and programmer
The focus in this paper is the application of evolutionary computing processes in the generation of ...
The story of some early computer art drawings in 1965 is told. It is a story of randomness. Computer...
In a time when automatic thinking is the representation of architectural design in its digital dimen...
AARON is a semi-autonomous art-making program that has been under continuous development for nearly ...
Code (computer software and the technologies that it enables) is changing fundamentally how human be...
For more than a decade the author has designed and used algorithmic systems to produce artworks that...
This paper describes a thesis exploring how computer programs can collaborate as equals in the artis...
Computers have traditionally been used as cognitive logical engines for solving difficult problems, ...
In this paper we consider artists who create their work by writing algorithms, which when interprete...
There are two distinct types of creativity: the flash out of the blue (inspiration? genius?), and th...
This article reviews the development of the author’s computational art practice, where the computer ...
The concept of value is traditionally bestowed on a work of art when it is seen to be unique and irr...
This aesthetic discussion examines in a philosophical-scientific way the relationship between comput...
The focus in this paper is the application of evolutionary computing processes in the generation of ...
Presentation: Chinese CHI 2017 ConferenceThe emergence of new artificial intelligence systems, espec...
The focus in this paper is the application of evolutionary computing processes in the generation of ...
The story of some early computer art drawings in 1965 is told. It is a story of randomness. Computer...
In a time when automatic thinking is the representation of architectural design in its digital dimen...
AARON is a semi-autonomous art-making program that has been under continuous development for nearly ...
Code (computer software and the technologies that it enables) is changing fundamentally how human be...
For more than a decade the author has designed and used algorithmic systems to produce artworks that...
This paper describes a thesis exploring how computer programs can collaborate as equals in the artis...
Computers have traditionally been used as cognitive logical engines for solving difficult problems, ...
In this paper we consider artists who create their work by writing algorithms, which when interprete...
There are two distinct types of creativity: the flash out of the blue (inspiration? genius?), and th...
This article reviews the development of the author’s computational art practice, where the computer ...
The concept of value is traditionally bestowed on a work of art when it is seen to be unique and irr...
This aesthetic discussion examines in a philosophical-scientific way the relationship between comput...
The focus in this paper is the application of evolutionary computing processes in the generation of ...
Presentation: Chinese CHI 2017 ConferenceThe emergence of new artificial intelligence systems, espec...
The focus in this paper is the application of evolutionary computing processes in the generation of ...
The story of some early computer art drawings in 1965 is told. It is a story of randomness. Computer...
In a time when automatic thinking is the representation of architectural design in its digital dimen...