This thesis examines the ways the American fashion industry and fashion publications appropriated aspects of Indian cultures as marketing tools from 1940 to 1968 and the ways representations stereotypes created through fashion outlets denoted American and individual, rather than Native, identity. Representational stereotypes created at the turn of the twentieth century provided fashion merchandisers and sellers with a home-grown marketing scheme, while the development of an American fashion industry based on mass-produced, ready-to-wear sportswear led to nation-wide dissemination and use of Indian colors, patterns, and designs
Graduation date: 1965This thesis is a study of the dress and accessories of the\ud Indians on the Pa...
This paper investigates the material and visual characteristics of certain ancient and historical te...
This study was conducted to see to what extent, if any, the American Indian was stereotyped. In thre...
This dissertation is about the making of the Indian fashion designer and highlights how the birth of...
A first-person narrative exploring the growing rise in cultural appropriation accusations within the...
Focusing on four key figures - Morris de Camp Crawford, John Sloan, Amelia Elizabeth White, and René...
This work examines the ways in which various American Indian groups and individuals have presented a...
The article presents an investigation into attempts to create an American fashion identity for women...
Culturally inspired fashion is defined as contemporary clothing inspired by a cultural aesthetic, fo...
https://kent-islandora.s3.us-east-2.amazonaws.com/ugresearch/2018/2018all/29/thumbnail.jpg“American ...
Erekosima and Eicher (1981) first published a cultural authentication (CA) analysis. Of the Kalabari...
This study seeks to locate the identity negotiations of a group of South Asian women living in the U...
My research addresses the cultural appropriation of the Plains’ Native American headdress by middle ...
Elite Indian fashion designers consciously attempt to abstract the essence of Indianness from India’...
In this short opinion piece, I add to the discussion of Native American cultural misappropriation, p...
Graduation date: 1965This thesis is a study of the dress and accessories of the\ud Indians on the Pa...
This paper investigates the material and visual characteristics of certain ancient and historical te...
This study was conducted to see to what extent, if any, the American Indian was stereotyped. In thre...
This dissertation is about the making of the Indian fashion designer and highlights how the birth of...
A first-person narrative exploring the growing rise in cultural appropriation accusations within the...
Focusing on four key figures - Morris de Camp Crawford, John Sloan, Amelia Elizabeth White, and René...
This work examines the ways in which various American Indian groups and individuals have presented a...
The article presents an investigation into attempts to create an American fashion identity for women...
Culturally inspired fashion is defined as contemporary clothing inspired by a cultural aesthetic, fo...
https://kent-islandora.s3.us-east-2.amazonaws.com/ugresearch/2018/2018all/29/thumbnail.jpg“American ...
Erekosima and Eicher (1981) first published a cultural authentication (CA) analysis. Of the Kalabari...
This study seeks to locate the identity negotiations of a group of South Asian women living in the U...
My research addresses the cultural appropriation of the Plains’ Native American headdress by middle ...
Elite Indian fashion designers consciously attempt to abstract the essence of Indianness from India’...
In this short opinion piece, I add to the discussion of Native American cultural misappropriation, p...
Graduation date: 1965This thesis is a study of the dress and accessories of the\ud Indians on the Pa...
This paper investigates the material and visual characteristics of certain ancient and historical te...
This study was conducted to see to what extent, if any, the American Indian was stereotyped. In thre...