Like photography, documentaries are a representational medium: They record and occasionally reconstruct the everyday reality viewers typically cannot experience themselves. Because photography is an indexical sign signifying truth, audiences understand the documentary, a moving photograph, to signify truth also. However, they are able to make the distinction between the "everyday reality" presented by documentaries and the fictive "reality" of cinematic films
Documentaries represent issues and aspects of the socio-historical world. They do so through a selec...
This paper discusses my documentary film practice, which explores the filmic mediation of subjectivi...
In the words of Bill Nichols, a documentary film is one of the “discourses of sobriety” that covers ...
Documentary is a genre of film that portrays real events using depictions that connote the objecti...
An examination of the history of documentary film and its contemporary forms showing how it has been...
The medium of documentary is one of controversy, with the critics debating if it is a medium of trut...
his paper examined documentary as a creative treatment of actuality. Documentary films are those whi...
At the heart of book chapter lies an exploration of a number of questions. How can one employ a prac...
In documentary, spectacle is all about immediacy rather than aesthetic quality. New technologies for...
This article deals with the representation of reality in documentary and describes a new category of...
This course explores the challenge of truth-telling in documentary film and video. A prevailing bel...
In this article we consider the growing interest in recent years in the use of documentary strategie...
This dissertation considers unresolved questions of the indexical real in documentary studies, drawi...
Film images testify to the real appearance of the past, or at least its aesthetic, through o...
The starting point for this paper is the statement that we are witnessing a “mock-documentary boom” ...
Documentaries represent issues and aspects of the socio-historical world. They do so through a selec...
This paper discusses my documentary film practice, which explores the filmic mediation of subjectivi...
In the words of Bill Nichols, a documentary film is one of the “discourses of sobriety” that covers ...
Documentary is a genre of film that portrays real events using depictions that connote the objecti...
An examination of the history of documentary film and its contemporary forms showing how it has been...
The medium of documentary is one of controversy, with the critics debating if it is a medium of trut...
his paper examined documentary as a creative treatment of actuality. Documentary films are those whi...
At the heart of book chapter lies an exploration of a number of questions. How can one employ a prac...
In documentary, spectacle is all about immediacy rather than aesthetic quality. New technologies for...
This article deals with the representation of reality in documentary and describes a new category of...
This course explores the challenge of truth-telling in documentary film and video. A prevailing bel...
In this article we consider the growing interest in recent years in the use of documentary strategie...
This dissertation considers unresolved questions of the indexical real in documentary studies, drawi...
Film images testify to the real appearance of the past, or at least its aesthetic, through o...
The starting point for this paper is the statement that we are witnessing a “mock-documentary boom” ...
Documentaries represent issues and aspects of the socio-historical world. They do so through a selec...
This paper discusses my documentary film practice, which explores the filmic mediation of subjectivi...
In the words of Bill Nichols, a documentary film is one of the “discourses of sobriety” that covers ...