The advanced stage of capitalism that we now live in has brought many changes to the way that society consumes and produces. One of the biggest shifts to the modern economy was the use of visual culture to distract, pacify, and exert power over the masses; a cultural change French theorist Guy Debord named the Society of the Spectacle. As a result, Debord and the Situationist International developed a movement of resistance to reclaim the territories of everyday life being eroded by the spectacle through separation and alienation. Since the term was coined the use of visual culture has accelerated and become even more pervasive in the postmodern world which led Jean Baudrillard to claim that the real has been replaced by simulation and hype...
The contemporary capitalist system is different from the capitalist system described in "The Society...
During the 1960s, the ‘Situationists’ defined ‘The Society of the Spectacle’ as the alienation of th...
In 2002, there was a landmark opportunity for the British public to revaluate the artwork produced i...
This study attends to Guy Debord's proposal of the "Society of the Spectacle", attempting to underst...
This performative, multi-media lecture re-reads Guy Debord’s book, The Society of the Spectacle (196...
In this dissertation I explore and attempt to answer the question of how political resistance is pos...
Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitali...
In addition to contributing crucially to the philosophy that fuelled the student revolts of France i...
This thesis presents the detailed study of Guy Debord’s The Society of the Spectacle as one of the m...
Alexander J. Hellert , HON400: All College Honors ColloquiumFaculty Mentor(s): Professor David N. Be...
In the wake of the events of September 11, 2001, the RETORT Collective published a collection of ess...
Guy Debord (1931-1994) was the director of the International situationniste journal and de facto lea...
The Situationist International (1957-72) and the groups that preceded it, such as the Lettrist Inter...
This entry gives a summary and overview of Guy Debord's concept of the society of the spectacle and ...
In this paper, the author will offer a new and specofoc reading of the contemporary media society, t...
The contemporary capitalist system is different from the capitalist system described in "The Society...
During the 1960s, the ‘Situationists’ defined ‘The Society of the Spectacle’ as the alienation of th...
In 2002, there was a landmark opportunity for the British public to revaluate the artwork produced i...
This study attends to Guy Debord's proposal of the "Society of the Spectacle", attempting to underst...
This performative, multi-media lecture re-reads Guy Debord’s book, The Society of the Spectacle (196...
In this dissertation I explore and attempt to answer the question of how political resistance is pos...
Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitali...
In addition to contributing crucially to the philosophy that fuelled the student revolts of France i...
This thesis presents the detailed study of Guy Debord’s The Society of the Spectacle as one of the m...
Alexander J. Hellert , HON400: All College Honors ColloquiumFaculty Mentor(s): Professor David N. Be...
In the wake of the events of September 11, 2001, the RETORT Collective published a collection of ess...
Guy Debord (1931-1994) was the director of the International situationniste journal and de facto lea...
The Situationist International (1957-72) and the groups that preceded it, such as the Lettrist Inter...
This entry gives a summary and overview of Guy Debord's concept of the society of the spectacle and ...
In this paper, the author will offer a new and specofoc reading of the contemporary media society, t...
The contemporary capitalist system is different from the capitalist system described in "The Society...
During the 1960s, the ‘Situationists’ defined ‘The Society of the Spectacle’ as the alienation of th...
In 2002, there was a landmark opportunity for the British public to revaluate the artwork produced i...