This interdisciplinary study examines a collection of chants intrinsically connected to the larger body of Western Chant: the psallendae. These chants of the Ambrosian rite, the form of Christian worship proper to the archdiocese of Milan, were sung during religious processions. With over 700 psallendae assigned to the Church calendar, this study examines only those assigned to feast days of the Virgin Mary, and in doing so, reveals a rich history of devotion to her. The primary sources examined are thirteenth-century manuscripts and medieval liturgical manuals. The processional chants are subjected to a thorough literary and musical analysis. Rooted in François-Auguste Gevaert's thematic theory, and using tools of reticular and stem...
424 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1988.The history of Anglican chant...
This study encarpasses the development of the Sibyl Chant in Spain from its early beginnings within ...
What is the orign1 of the so-called Gregorian Chant? That is the question asked by Dickinson in his ...
The repertory of music known as Milanese chant: has only recently attracted the attention of musicol...
textDuring the eleventh century the Aquitanian monastery of St. Yrieix, located forty kilometers sou...
Among modern musicological studies on medieval liturgical chant there are very few discussions of li...
This dissertation provides the first full-scale musicological study of Stuttgart 95, a thirteenth-ce...
Recent chant scholarship suggests that early Western plainchant consisted of a blend of Frankish and...
This dissertation is divided into three main sections. The first section gives an overview of the ch...
The aim of this thesis is to illustrate the perception of a Gregorian Chant in a historical context....
The presented work deals with the research of the Gospel antiphons of the pre-Lenten period of the l...
This paper will trace the development of the uniquely monophonic Roman chant which reached its pures...
In the early Christian celebrations of the Eucharist the presentation of bread and wine by the deac...
This article uses multiple witnesses of the chants from four offices of the Sanctorale, transcribed ...
This dissertation examines the unique musical culture of Vadstena Abbey, the Swedish double monastic...
424 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1988.The history of Anglican chant...
This study encarpasses the development of the Sibyl Chant in Spain from its early beginnings within ...
What is the orign1 of the so-called Gregorian Chant? That is the question asked by Dickinson in his ...
The repertory of music known as Milanese chant: has only recently attracted the attention of musicol...
textDuring the eleventh century the Aquitanian monastery of St. Yrieix, located forty kilometers sou...
Among modern musicological studies on medieval liturgical chant there are very few discussions of li...
This dissertation provides the first full-scale musicological study of Stuttgart 95, a thirteenth-ce...
Recent chant scholarship suggests that early Western plainchant consisted of a blend of Frankish and...
This dissertation is divided into three main sections. The first section gives an overview of the ch...
The aim of this thesis is to illustrate the perception of a Gregorian Chant in a historical context....
The presented work deals with the research of the Gospel antiphons of the pre-Lenten period of the l...
This paper will trace the development of the uniquely monophonic Roman chant which reached its pures...
In the early Christian celebrations of the Eucharist the presentation of bread and wine by the deac...
This article uses multiple witnesses of the chants from four offices of the Sanctorale, transcribed ...
This dissertation examines the unique musical culture of Vadstena Abbey, the Swedish double monastic...
424 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1988.The history of Anglican chant...
This study encarpasses the development of the Sibyl Chant in Spain from its early beginnings within ...
What is the orign1 of the so-called Gregorian Chant? That is the question asked by Dickinson in his ...