This research paper is elaborated around the hypothesis that there is a subtle resistance by non-aboriginal museum professionals, primarily within the disciplines of anthropology, in accepting First Nations taking complete control of their identities and cultures. This new changing situation minimizes the museum professionals' power as interpreters of First Nations' cultures and no longer corresponds to the mission and purpose of the disciplines of anthropology. The author develops the argument by examining Eilean Hooper-Greenill's study of Michel Foucault's three epistemes on how museums influenced the shaping of knowledge in the transition from one epistemic period to the next. Hooper-Greenhill's analysis is further used to illustrate the...
In aiming to dispossess Indigenous peoples from their land and destroy their cultures, settler colon...
Cross cultural education in art museums is an interesting and complex issue. While cultural exhibit...
The Canadian Museum of Civilization (CMC) was constructed as a national-popular symbol which would u...
In 1992, when this dissertation was completed, Canadian museums (among many others) were in a state ...
This thesis is an examination of the representation of First Nations cultures at the Glenbow Museum ...
In order to illustrate why museums are frequently sites of conflict and mediation, this dissertatio...
Debate erupted in the Canadian museum world of the mid-1980s in response to a contentious exhibition...
The ways in which Aboriginal people and museums work together have changed drastically in recent dec...
The ways in which Aboriginal people and museums work together have changed drastically in recent dec...
Museums contribution to the European colonial project was and is still criticized. In the context of...
This article examines the Canadian Museum of Civilization's First Peoples Hall and its treatment of ...
In recent years, much has been written about the changing relationships between museum professionals...
This thesis explores changing perceptions, theory, structure and policy within art exhibit and coll...
This article provides critical analysis of the Smithsonian Institution's National Museum of the Amer...
Thesis (Ph.D.)--University of Washington, 2017The museum field has had a definite impact on the iden...
In aiming to dispossess Indigenous peoples from their land and destroy their cultures, settler colon...
Cross cultural education in art museums is an interesting and complex issue. While cultural exhibit...
The Canadian Museum of Civilization (CMC) was constructed as a national-popular symbol which would u...
In 1992, when this dissertation was completed, Canadian museums (among many others) were in a state ...
This thesis is an examination of the representation of First Nations cultures at the Glenbow Museum ...
In order to illustrate why museums are frequently sites of conflict and mediation, this dissertatio...
Debate erupted in the Canadian museum world of the mid-1980s in response to a contentious exhibition...
The ways in which Aboriginal people and museums work together have changed drastically in recent dec...
The ways in which Aboriginal people and museums work together have changed drastically in recent dec...
Museums contribution to the European colonial project was and is still criticized. In the context of...
This article examines the Canadian Museum of Civilization's First Peoples Hall and its treatment of ...
In recent years, much has been written about the changing relationships between museum professionals...
This thesis explores changing perceptions, theory, structure and policy within art exhibit and coll...
This article provides critical analysis of the Smithsonian Institution's National Museum of the Amer...
Thesis (Ph.D.)--University of Washington, 2017The museum field has had a definite impact on the iden...
In aiming to dispossess Indigenous peoples from their land and destroy their cultures, settler colon...
Cross cultural education in art museums is an interesting and complex issue. While cultural exhibit...
The Canadian Museum of Civilization (CMC) was constructed as a national-popular symbol which would u...