The enduring influence of the vampire myth on many young people today reveals the relevance of one of the nineteenth century’s most powerful surviving archetypes. Yet, since Bela Lugosi’s portrayal of Bram Stoker’s Dracula, the figure of the vampire has undergone many transformations. In recent years, works such as Anne Rice’s Vampire Chronicles, Elizabeth Kostova’s The Historian and Stephanie Meyers’s Twilight series illustrate this evolution. This article strives to understand how pervasive the vampire tale currently is in world culture and why this may be so at this particular time, interested as we are in images of eternal youth. Besides, it aims at discussing what the vampire myth can tell us about sexuality, power, alienation, sicknes...
While vampire stories have been part of popular culture since the beginning of the nineteenth centur...
Includes bibliographical references.Vampires may be centuries-old mythological creatures, but depict...
In Our Vampires, Ourselves (1995), Nina Auerbach argues that “[t]here is no such creature as ‘The Va...
Forever young – why we still love vampires in the 21st century. The astonishingly enduring influe...
The vampire is one of the most powerful and enduring archetypes handed down to us by nineteenth-cent...
With its roots in Eastern Europe and rapidly spreading to Western society in the past few hundred ye...
The vampire is an interesting creature. This essay explores the vampire and its evolution from the t...
Since the beginning of recorded history, there have been stories told about vicious vampires. Bram S...
In their article The Evolution of the Vampire from Stoker\u27s Dracula to Meyer\u27s Twilight Saga ...
A diachronic analysis of the way the literary vampire has been characterised from the Victorian era ...
Vampires are the latest fad to appear on pop-culture’s radar, dominating literature, film, and telev...
Master's thesis in Literacy StudiesThis thesis will be a study of whether there has been a significa...
What has made bloodsucking, immortal creatures so captivating in innumerable myths from across the w...
Since the publication of John Polidori’s The Vampyre (1819), the vampire has been a mainstay of West...
The article examines the representation of a vampire figure in contemporary culture, in particular w...
While vampire stories have been part of popular culture since the beginning of the nineteenth centur...
Includes bibliographical references.Vampires may be centuries-old mythological creatures, but depict...
In Our Vampires, Ourselves (1995), Nina Auerbach argues that “[t]here is no such creature as ‘The Va...
Forever young – why we still love vampires in the 21st century. The astonishingly enduring influe...
The vampire is one of the most powerful and enduring archetypes handed down to us by nineteenth-cent...
With its roots in Eastern Europe and rapidly spreading to Western society in the past few hundred ye...
The vampire is an interesting creature. This essay explores the vampire and its evolution from the t...
Since the beginning of recorded history, there have been stories told about vicious vampires. Bram S...
In their article The Evolution of the Vampire from Stoker\u27s Dracula to Meyer\u27s Twilight Saga ...
A diachronic analysis of the way the literary vampire has been characterised from the Victorian era ...
Vampires are the latest fad to appear on pop-culture’s radar, dominating literature, film, and telev...
Master's thesis in Literacy StudiesThis thesis will be a study of whether there has been a significa...
What has made bloodsucking, immortal creatures so captivating in innumerable myths from across the w...
Since the publication of John Polidori’s The Vampyre (1819), the vampire has been a mainstay of West...
The article examines the representation of a vampire figure in contemporary culture, in particular w...
While vampire stories have been part of popular culture since the beginning of the nineteenth centur...
Includes bibliographical references.Vampires may be centuries-old mythological creatures, but depict...
In Our Vampires, Ourselves (1995), Nina Auerbach argues that “[t]here is no such creature as ‘The Va...