The presentation Techniques and preparation materials in Portuguese painting of the fifteenth and sixteenth centuries is part of the integrated study of our PhD program, under the same title. The multianalitical methodology defined in this program, was possible through support of the project The invisible ground layer and its influence in portuguese paintings of the 15th and 16th centuries: a question to be settled (PTDC/EAT-HAT/100868/2008).The project included the reanalysis of ground layers of paintings previously studied in the Laboratório José de Figueiredo da Direcção Geral do Património Cultural (LJF-DGPC), as well as samples from paintings materially studied for the first time. Systematic analysis of the ground layers was performed ...
In this work we address the study of three groups painted by Josefa d' Óbidos (1630–1684) and by her...
The purpose of this work is to characterize Portuguese painting ground layers from the 15th and 16th...
The systematic characterization of the painting’s palette and technique applied on the execution of ...
The study of the ground layers in ancient painting covers different aspects of its production stages...
SFRH/BPD/103315/2014 Vanessa Antunes agradece à Fundação para a Ciência e Tecnologia o apoio finance...
SFRH/BPD/103315/2014 Vanessa Antunes agradece à Fundação para a Ciência e Tecnologia o apoio finance...
The binding media used for the ground layer production of Portuguese paintings from the 15th-16th ce...
This article presents the material and technological data obtained from the study of the preparatory...
In this work, a study on a set of paintings from the most significant altarpiece assigned to Master ...
Tese de doutoramento, História (Arte Património e Restauro), Universidade de Lisboa, Faculdade de Le...
Abstract This research focuses on the application of microanalytical techniques to the material anal...
This paper is based on a laboratory study of 15th-century paintings attributed to Nuno Gonçalves, na...
This paper employs various techniques to analyze the mixture of chalk and binder materials used, by ...
This article is an outcome of the study, deci-sions, and restoration work undertaken during the inte...
The present paper describes the characterization and comparative study carried out on the 16th centu...
In this work we address the study of three groups painted by Josefa d' Óbidos (1630–1684) and by her...
The purpose of this work is to characterize Portuguese painting ground layers from the 15th and 16th...
The systematic characterization of the painting’s palette and technique applied on the execution of ...
The study of the ground layers in ancient painting covers different aspects of its production stages...
SFRH/BPD/103315/2014 Vanessa Antunes agradece à Fundação para a Ciência e Tecnologia o apoio finance...
SFRH/BPD/103315/2014 Vanessa Antunes agradece à Fundação para a Ciência e Tecnologia o apoio finance...
The binding media used for the ground layer production of Portuguese paintings from the 15th-16th ce...
This article presents the material and technological data obtained from the study of the preparatory...
In this work, a study on a set of paintings from the most significant altarpiece assigned to Master ...
Tese de doutoramento, História (Arte Património e Restauro), Universidade de Lisboa, Faculdade de Le...
Abstract This research focuses on the application of microanalytical techniques to the material anal...
This paper is based on a laboratory study of 15th-century paintings attributed to Nuno Gonçalves, na...
This paper employs various techniques to analyze the mixture of chalk and binder materials used, by ...
This article is an outcome of the study, deci-sions, and restoration work undertaken during the inte...
The present paper describes the characterization and comparative study carried out on the 16th centu...
In this work we address the study of three groups painted by Josefa d' Óbidos (1630–1684) and by her...
The purpose of this work is to characterize Portuguese painting ground layers from the 15th and 16th...
The systematic characterization of the painting’s palette and technique applied on the execution of ...