Add to ORKGTHE LONDON stage of 1667 was graced with the first presentation of The Tempest: or, The Enchanted Island, a greatly altered version of the comedy by William Shakespeare. The play was designed to conform with the taste of the Restoration period, and certain characteristics of Restoration comedy are clearly evident in It
For hundreds of years, theatre has remained one of the most popular forms of entertainment. In 16...
[8], 82, [1] p.Altered by Dryden and Sir William D'Avenant. Cf. Preface (signed: John Driden).First ...
Scholars of the seventeenth-century theatre frequently cite William Davenant (1606–68) as an importa...
After the theatres were re-opened in England at the Restoration, there were many adaptions made of S...
In this paper, I examined how the Stuart court masque was adopted and subtly criticized in The Tempe...
Some sixty years after The Tempest’s first performance, after the tumultuous events of the Civil War...
In this paper, I examined how the Stuart court masque was adopted and subtly criticized in The Tempe...
English DepartmentCollege of Arts & Science© Cambridge University Press. Reprinted with permission
This essay explores the myriad stage and paper engagements with one of the most popular plays of the...
It is the purpose of this study to discuss Dryden\u27s adaptations of Shakespeare\u27s The Tempest, ...
This dissertation examines five separate adaptations of Shakespeare\u27s play that were performed an...
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Sh...
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Sh...
Each volume has also special t.-p.Edition of 250 sets.[v. 1] The life of Timon of Athens (the text o...
No more published.Each volume has also special t.-p.Edition of 250 sets. This set no. 87. Arbitraril...
For hundreds of years, theatre has remained one of the most popular forms of entertainment. In 16...
[8], 82, [1] p.Altered by Dryden and Sir William D'Avenant. Cf. Preface (signed: John Driden).First ...
Scholars of the seventeenth-century theatre frequently cite William Davenant (1606–68) as an importa...
After the theatres were re-opened in England at the Restoration, there were many adaptions made of S...
In this paper, I examined how the Stuart court masque was adopted and subtly criticized in The Tempe...
Some sixty years after The Tempest’s first performance, after the tumultuous events of the Civil War...
In this paper, I examined how the Stuart court masque was adopted and subtly criticized in The Tempe...
English DepartmentCollege of Arts & Science© Cambridge University Press. Reprinted with permission
This essay explores the myriad stage and paper engagements with one of the most popular plays of the...
It is the purpose of this study to discuss Dryden\u27s adaptations of Shakespeare\u27s The Tempest, ...
This dissertation examines five separate adaptations of Shakespeare\u27s play that were performed an...
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Sh...
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Sh...
Each volume has also special t.-p.Edition of 250 sets.[v. 1] The life of Timon of Athens (the text o...
No more published.Each volume has also special t.-p.Edition of 250 sets. This set no. 87. Arbitraril...
For hundreds of years, theatre has remained one of the most popular forms of entertainment. In 16...
[8], 82, [1] p.Altered by Dryden and Sir William D'Avenant. Cf. Preface (signed: John Driden).First ...
Scholars of the seventeenth-century theatre frequently cite William Davenant (1606–68) as an importa...