A supervised approach to metrical cycle tracking from audio is presented,/nwith a main focus on tracking the tāḷa, the hierarchical cyclic/nmetrical structure in Carnatic music. Given the tāḷa of a piece, we aim/nto estimate the akṣara (lowest metrical pulse), the akṣara period, and/nthe sama (first pulse of the tāḷa cycle). Starting with percussion enhanced/naudio, we estimate the akṣara pulse period from a tempogram/ncomputed using an onset detection function. A novelty function is/ncomputed using a self similarity matrix constructed using frame level/naudio features. These are then used to estimate possible akṣara and/nsama candidates, followed by a candidate selection based on periodicity/nconstraints, which leads to the final estimates...
Most music exhibits a pulsating temporal structure, known as meter. Consequently, the task of meter ...
We propose a novel method to model hierarchical metrical structures for both symbolic music and audi...
The aim of this paper is to identify and discuss various methods in computational rhythm description...
A supervised approach to metrical cycle tracking from audio is presented,/nwith a main focus on trac...
We present a method for tempo estimation from audio re-cordings based on signal processing and peak ...
Meter is known to play a paramount role in the aesthetic appreciation of music, yet computational mo...
Automatic rhythm analysis is an important area of research in Music Information Retrieval (MIR) as i...
Most musical phenomena involve repetitive structures that enable listeners to track meter, i.e. the ...
CompMusic Carnatic Rhythm Dataset is a rhythm annotated test corpus for automatic rhythm analysis ta...
The extraction of local tempo and beat information from audio recordings constitutes a challenging t...
In this paper we present PRIMA: a new model tailored to symbolic music that detects the meter and th...
The aim of this paper is to identify and discuss various methods in computational rhythm description...
This paper introduces a novel way to detect metrical structure in music. We introduce a way to compu...
Rhythmic patterns are an important structural element in music. This paper investigates the use of r...
This master thesis deals with systems for detecting rhythmic structures of music recordings. The fie...
Most music exhibits a pulsating temporal structure, known as meter. Consequently, the task of meter ...
We propose a novel method to model hierarchical metrical structures for both symbolic music and audi...
The aim of this paper is to identify and discuss various methods in computational rhythm description...
A supervised approach to metrical cycle tracking from audio is presented,/nwith a main focus on trac...
We present a method for tempo estimation from audio re-cordings based on signal processing and peak ...
Meter is known to play a paramount role in the aesthetic appreciation of music, yet computational mo...
Automatic rhythm analysis is an important area of research in Music Information Retrieval (MIR) as i...
Most musical phenomena involve repetitive structures that enable listeners to track meter, i.e. the ...
CompMusic Carnatic Rhythm Dataset is a rhythm annotated test corpus for automatic rhythm analysis ta...
The extraction of local tempo and beat information from audio recordings constitutes a challenging t...
In this paper we present PRIMA: a new model tailored to symbolic music that detects the meter and th...
The aim of this paper is to identify and discuss various methods in computational rhythm description...
This paper introduces a novel way to detect metrical structure in music. We introduce a way to compu...
Rhythmic patterns are an important structural element in music. This paper investigates the use of r...
This master thesis deals with systems for detecting rhythmic structures of music recordings. The fie...
Most music exhibits a pulsating temporal structure, known as meter. Consequently, the task of meter ...
We propose a novel method to model hierarchical metrical structures for both symbolic music and audi...
The aim of this paper is to identify and discuss various methods in computational rhythm description...