This retrospective represents a new approach to using historical performance as a tool for understanding medieval narrative performance. The core of the article traces how an individual performer’s interaction with a stable medieval text both indicates directions medieval performers may have taken and suggests the limitations imposed by modern performance conventions. The discussion touches on issues of adaptation and translation, variation in troupe composition and audience, expectations of modern audiences, impact of costume choices, and limitations of audio and video recordings as documentation of live performance. Juxtaposing eight performances of a single passage clarifies how performance can transform a text, and how a text can impose...
Actual performance by a particular voice and body for a physically present audience can provide info...
"My purpose here is to advocate the use of these new facilities towards the better understanding of ...
In this study of modern English and American treatments of favorite medieval narratives, I am emphas...
This retrospective represents a new approach to using historical performance as a tool for understan...
In this thesis, the field of oral tradition developed by Milman Parry, Albert Lord and later expande...
textStaging Medievalisms analyzes how twentieth- and twenty-first century performance constructs the...
Since its conception in the late fourteenth century, Sir Gawain and the Green Knight has been lauded...
Speech plays a central role in Sir Gawain and the Green Knight, a trait that it shares with other Ar...
This thesis offers a new approach to the study of actor-audience relations in late medieval English ...
This thesis offers a new approach to the study of actor-audience relations in late medieval English ...
Book synopsis: Traditional histories of medieval art and architecture often privilege the moment of ...
A reprint with revisions of a study of the character of Herod in the English play cycles, originally...
One of the greatest sources for literary productions during the Middle Ages was the material which d...
This thesis explores the notion that the emergent language of theatre, and more generally of modern ...
Sir Gawain has always been marked as a victim in the well-known poem Sir Gawain and the Green Knight...
Actual performance by a particular voice and body for a physically present audience can provide info...
"My purpose here is to advocate the use of these new facilities towards the better understanding of ...
In this study of modern English and American treatments of favorite medieval narratives, I am emphas...
This retrospective represents a new approach to using historical performance as a tool for understan...
In this thesis, the field of oral tradition developed by Milman Parry, Albert Lord and later expande...
textStaging Medievalisms analyzes how twentieth- and twenty-first century performance constructs the...
Since its conception in the late fourteenth century, Sir Gawain and the Green Knight has been lauded...
Speech plays a central role in Sir Gawain and the Green Knight, a trait that it shares with other Ar...
This thesis offers a new approach to the study of actor-audience relations in late medieval English ...
This thesis offers a new approach to the study of actor-audience relations in late medieval English ...
Book synopsis: Traditional histories of medieval art and architecture often privilege the moment of ...
A reprint with revisions of a study of the character of Herod in the English play cycles, originally...
One of the greatest sources for literary productions during the Middle Ages was the material which d...
This thesis explores the notion that the emergent language of theatre, and more generally of modern ...
Sir Gawain has always been marked as a victim in the well-known poem Sir Gawain and the Green Knight...
Actual performance by a particular voice and body for a physically present audience can provide info...
"My purpose here is to advocate the use of these new facilities towards the better understanding of ...
In this study of modern English and American treatments of favorite medieval narratives, I am emphas...