In the spring of 1950, the Chinese Communist Party (CCP) issued its first national call for visual propaganda in the form of new nianhua and new yuefenpai. These genres were to reflect the existing forms of nianhua (New Year’s pictures) and yuefenpai (calendar posters), but the new forms were to be infused with politically conscious themes and graphic techniques determined by CCP arts administrators. The subsequent debates over the appropriate nature of new nianhua and new yuefenpai became central to the development of standards for propaganda art, and would have continuing implications for Chinese graphic arts throughout the early 1950s
Since May 23rd, 1942 when Mao Zedong outlined his directives regarding arts policy in his closing re...
Propaganda posters have been one of many forms of political media used by modern governments such as...
Guai are bound up with Chinese traditional culture, and have been presented via various cultural for...
This article examines the Communists' nianhua propaganda campaign and its reception among the masses...
The first years after the founding of the People\u2019s Republic of China (1949) are considered cruc...
The first years after the founding of the People\u2019s Republic of China (1949) are considered cruc...
The popular Chinese woodblock print genre known as nianhua flourished at the end of the Qing dynasty...
Chinese nianhua, or “New Year Pictures,” refers to a broad category of popular prints and paintings ...
Deposited with permission of the author. © 1997 Dr. Tanya McIntyre.The thesis is a study of a tradi...
This dissertation examines the campaigns for the creation of new nianhua which took place in the 194...
Since the late Ming Dynasty the Shandong village of Yangjiabu has been a major production centre fo...
The first years after the founding of the People\u2019s Republic of China (1949) are considered cruc...
Yuefenpai is a type of calendar poster that was prevalent in Shanghai during the early 20th century ...
In this sweeping portrait of the political culture of the early People's Republic of China (PRC), Ch...
In the first half of the 20th century, a new genre developed in the Chinese visual arts, which is ca...
Since May 23rd, 1942 when Mao Zedong outlined his directives regarding arts policy in his closing re...
Propaganda posters have been one of many forms of political media used by modern governments such as...
Guai are bound up with Chinese traditional culture, and have been presented via various cultural for...
This article examines the Communists' nianhua propaganda campaign and its reception among the masses...
The first years after the founding of the People\u2019s Republic of China (1949) are considered cruc...
The first years after the founding of the People\u2019s Republic of China (1949) are considered cruc...
The popular Chinese woodblock print genre known as nianhua flourished at the end of the Qing dynasty...
Chinese nianhua, or “New Year Pictures,” refers to a broad category of popular prints and paintings ...
Deposited with permission of the author. © 1997 Dr. Tanya McIntyre.The thesis is a study of a tradi...
This dissertation examines the campaigns for the creation of new nianhua which took place in the 194...
Since the late Ming Dynasty the Shandong village of Yangjiabu has been a major production centre fo...
The first years after the founding of the People\u2019s Republic of China (1949) are considered cruc...
Yuefenpai is a type of calendar poster that was prevalent in Shanghai during the early 20th century ...
In this sweeping portrait of the political culture of the early People's Republic of China (PRC), Ch...
In the first half of the 20th century, a new genre developed in the Chinese visual arts, which is ca...
Since May 23rd, 1942 when Mao Zedong outlined his directives regarding arts policy in his closing re...
Propaganda posters have been one of many forms of political media used by modern governments such as...
Guai are bound up with Chinese traditional culture, and have been presented via various cultural for...