This thesis examines the growing trend of participatory art practices employed in the installation works of contemporary artists Roman Ondák, Ann Hamilton, Caitlind r.c. Brown and Wayne Garrett. It focuses on how three art installations use interactive and collaborative methods, each within a different exhibition setting, in order to include and communicate with the public audience. The first chapter discusses how Ondák’s Measuring the Universe draws on shared experience to encourage viewers to interact with the installation within a large art gallery. The second chapter considers how Hamilton’s the event of a thread creates a social event between participants and performers using an alternative gallery space. The final chapter explores how...
Using the hypothesis that interaction with net art can be categorised, the primary purpose of the re...
Artists have increasingly acknowledged the role of the audience as collaborators both in the constru...
Received 7 May 2018. Accepted 14 June 2018. Published online 1 July 2018.The article presents resear...
Since its inception in the 1970s when Joseph Beuys proclaimed, “Jeder Mensch is ein Kunstler” or “Ev...
This action research project explores the impact of a collaborative lesson on the behavior and relat...
At a convention you see the efforts of hundreds to thousands of people who re-create characters from...
Executive Summary This report compares the cultural value of two public artworks – Alex Hartley’s ...
An examination of three case studies involving U.S. museum exhibitions of street and graffiti art in...
For decades the human dimension has been neglected in urban planning topics. With the emergence of m...
Re-evaluating classic work in the sociology of the visual arts, this Ph.D. thesis explores the tacit...
This paper evaluates the relevance of the regional public art institution in Ontario as it relates t...
A thesis submitted in partial fulfilment of the requirements of the University of Wolverhampton for ...
This project aims to expand the potentially static experience of art from an object being witnessed ...
This thesis examines the benefits for teachers and students when they participate in community art i...
This paper presents preliminary findings deriving from a larger project investigating the performanc...
Using the hypothesis that interaction with net art can be categorised, the primary purpose of the re...
Artists have increasingly acknowledged the role of the audience as collaborators both in the constru...
Received 7 May 2018. Accepted 14 June 2018. Published online 1 July 2018.The article presents resear...
Since its inception in the 1970s when Joseph Beuys proclaimed, “Jeder Mensch is ein Kunstler” or “Ev...
This action research project explores the impact of a collaborative lesson on the behavior and relat...
At a convention you see the efforts of hundreds to thousands of people who re-create characters from...
Executive Summary This report compares the cultural value of two public artworks – Alex Hartley’s ...
An examination of three case studies involving U.S. museum exhibitions of street and graffiti art in...
For decades the human dimension has been neglected in urban planning topics. With the emergence of m...
Re-evaluating classic work in the sociology of the visual arts, this Ph.D. thesis explores the tacit...
This paper evaluates the relevance of the regional public art institution in Ontario as it relates t...
A thesis submitted in partial fulfilment of the requirements of the University of Wolverhampton for ...
This project aims to expand the potentially static experience of art from an object being witnessed ...
This thesis examines the benefits for teachers and students when they participate in community art i...
This paper presents preliminary findings deriving from a larger project investigating the performanc...
Using the hypothesis that interaction with net art can be categorised, the primary purpose of the re...
Artists have increasingly acknowledged the role of the audience as collaborators both in the constru...
Received 7 May 2018. Accepted 14 June 2018. Published online 1 July 2018.The article presents resear...