This paper focuses on Mary Shelley’s letter to her friend Maria Gisborne. In this letter Mary Shelley describes the last days of her husband P. B. Shelley and does so in ways which emphasise a certain set of gothic and uncanny events. The paper argues that such uncanny events are part of both writers concern with metalepsis, a figure which involves or at least invokes the reversal of time and space. The paper formed part of a special memorial edition of La Questione Romantica, which honoured the life and work of the editor of Mary Shelley’s letters, Professor Betty T. Bennett
Mary Shelley's Frankenstein (1818, 1831) has long been regarded as the foundational text of the scie...
Although Mary Shelley’s Frankenstein; or The Modern Prometheus, published in 1818, is assigned to th...
In this article I consider Mary Shelley's use of figuration, examining its characteristic forms. In ...
When writing Frankenstein as a young, impressionable woman, Mary Shelley was heavily influenced by t...
Mary Shelley was propelled into fame while still a teenager because of her powerful and gothic nov...
This essay considers the rich evidence for collaboration provided by manuscript study. I am interest...
For decades, Mary Shelley criticism has undergone steady expansion as she and her work have received...
Present paper is an interdisciplinary approach to Mary Shelley’s works aimed at contributing to Roma...
Mary Shelley wrote the largest amount of literary biography at a time when the British reading publi...
Mary is a creative thesis told in first-person vignettes spaced throughout Mary Wollstonecraft Shell...
The restorative power of biography in recognising ‘forgotten lives’ is well established. In the fiel...
Even before P.B. Shelley’s drowning, Mary Shelley’s first stay in Italy was marred by the death of h...
This thesis investigates the influences of Mary Shelley and trace her construction of Frankenstein. ...
This thesis offers a reassessment of the literary relationship and instances of creative collaborati...
Includes bibliographical references.The purpose of this thesis is to examine the relationship betwee...
Mary Shelley's Frankenstein (1818, 1831) has long been regarded as the foundational text of the scie...
Although Mary Shelley’s Frankenstein; or The Modern Prometheus, published in 1818, is assigned to th...
In this article I consider Mary Shelley's use of figuration, examining its characteristic forms. In ...
When writing Frankenstein as a young, impressionable woman, Mary Shelley was heavily influenced by t...
Mary Shelley was propelled into fame while still a teenager because of her powerful and gothic nov...
This essay considers the rich evidence for collaboration provided by manuscript study. I am interest...
For decades, Mary Shelley criticism has undergone steady expansion as she and her work have received...
Present paper is an interdisciplinary approach to Mary Shelley’s works aimed at contributing to Roma...
Mary Shelley wrote the largest amount of literary biography at a time when the British reading publi...
Mary is a creative thesis told in first-person vignettes spaced throughout Mary Wollstonecraft Shell...
The restorative power of biography in recognising ‘forgotten lives’ is well established. In the fiel...
Even before P.B. Shelley’s drowning, Mary Shelley’s first stay in Italy was marred by the death of h...
This thesis investigates the influences of Mary Shelley and trace her construction of Frankenstein. ...
This thesis offers a reassessment of the literary relationship and instances of creative collaborati...
Includes bibliographical references.The purpose of this thesis is to examine the relationship betwee...
Mary Shelley's Frankenstein (1818, 1831) has long been regarded as the foundational text of the scie...
Although Mary Shelley’s Frankenstein; or The Modern Prometheus, published in 1818, is assigned to th...
In this article I consider Mary Shelley's use of figuration, examining its characteristic forms. In ...