A model for representing music scores in a form suitable for general processing by a music-analyst-programmer is proposed and implemented. Typical input to the model consists of one or more pieces of music which are encoded in a file-based score representation. File-based representations are in a form unsuited for general processing, as they do not provide a suitable level of abstraction for a programmer-analyst. Instead, a representation is created giving a programmer's view of the score. This frees the analyst-programmer from implementation details, that otherwise would form a substantial barrier to progress. The score representation uses an object-oriented approach to create a natural and robust software environment for the musicologist....
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
Many aspects of computer-based music notation have been previously discussed. The presented thesis d...
The reworking of existing music in order to build new one is a quintessential characteristic of the ...
The role of music analysis is to enlighten our understanding of a piece of music. The role of musica...
We present new tools for the segmentation and analysis of musical scores in the OpenMusic computer-a...
Music Classification is a particular area of Computational Musicology that provides valuable insight...
The current research applies the Abjad API for Formalized Score Control (Bača, Oberholtzer, and Adán...
This paper deals with a software application to visualize score analysis. Such tool allows both the ...
National audienceAnalyze a musical piece means understanding some aspects of the score, ultimately c...
International audienceIn the electroacoustic community, it is well known that one specificity of thi...
Existing automatic methods of analysing musical performance can generally be described as music-orie...
In this thesis we analyze the process of musicological systematic analysis of composition techniques...
Scores are structured objects, and we can therefore envisage operations that change the structure of...
The coordinated storage of performance data in such a way that it can be used across multiple projec...
Musicologists, music cognition scientists and others have long studied music in all of its facets. D...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
Many aspects of computer-based music notation have been previously discussed. The presented thesis d...
The reworking of existing music in order to build new one is a quintessential characteristic of the ...
The role of music analysis is to enlighten our understanding of a piece of music. The role of musica...
We present new tools for the segmentation and analysis of musical scores in the OpenMusic computer-a...
Music Classification is a particular area of Computational Musicology that provides valuable insight...
The current research applies the Abjad API for Formalized Score Control (Bača, Oberholtzer, and Adán...
This paper deals with a software application to visualize score analysis. Such tool allows both the ...
National audienceAnalyze a musical piece means understanding some aspects of the score, ultimately c...
International audienceIn the electroacoustic community, it is well known that one specificity of thi...
Existing automatic methods of analysing musical performance can generally be described as music-orie...
In this thesis we analyze the process of musicological systematic analysis of composition techniques...
Scores are structured objects, and we can therefore envisage operations that change the structure of...
The coordinated storage of performance data in such a way that it can be used across multiple projec...
Musicologists, music cognition scientists and others have long studied music in all of its facets. D...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
Many aspects of computer-based music notation have been previously discussed. The presented thesis d...
The reworking of existing music in order to build new one is a quintessential characteristic of the ...