Add to ORKGAn essay on the sculpture of Eva Rothschild for the monograph on her work published by Stuart Shave/Modern Art and Koenig Books, London, in association with The Modern Institute, Glasgow, Galerie Eva Presenhuber, Zürich, and 303 Gallery, New York. Publication followed Rothschild's commission for the Duveen Galleries, Tate Britain, in 2009, major shows in Zürich and London, and anticipated her exhibition to mark the opening of the Hepworth, Wakefield, in 2011
This catalogue essay was commissioned by Matt Smith, Polly Harknett and Caitlin Heffernan, co-curato...
An essay for a retrospective exhibition of the sculpture and drawings by Lucia Nogueira (1950-1998),...
A catalogue with a critical essay by David Thorp, to accompany the Avenuedes Gobelins exhibitio
A text written for the magazine of feminism and contemporary art, SALT. Ripley concerns the experien...
This interview with the sculptor Eva Rothschild (who represented Ireland at the Venice Biennale in 2...
This article briefly reviews two concurrent exhibitions of Eva Hesse’s art, one at The Jewish Museum...
In November 2002 I chaired a panel of artist speakers in a session called “The Studio Encounter” a...
The sculpture of German-born American artist, Eva Hesse (1936-1970), presents many conservation chal...
Essay for the catalogue accompanying the exhibition Intreccio Mirage by Milly Thompson at 43 Inverne...
This essay discusses works produced over the first ten years of the career of the Syrian American ar...
‘Everything in Eva Hesse’s work was different…’ is a chapter I contributed to an international publi...
This article considers an exhibition of work made whilst the artist Bettina von Zwehl was on a resid...
An essay on the work of Charlotte Moth, the British artist b.1978, attending to the question of ligh...
This article makes an original contribution to the histories of sculpture in Britain, a phenomenon t...
Eva Hesse created works in latex in the latter half of her career that will continue to deteriorate ...
This catalogue essay was commissioned by Matt Smith, Polly Harknett and Caitlin Heffernan, co-curato...
An essay for a retrospective exhibition of the sculpture and drawings by Lucia Nogueira (1950-1998),...
A catalogue with a critical essay by David Thorp, to accompany the Avenuedes Gobelins exhibitio
A text written for the magazine of feminism and contemporary art, SALT. Ripley concerns the experien...
This interview with the sculptor Eva Rothschild (who represented Ireland at the Venice Biennale in 2...
This article briefly reviews two concurrent exhibitions of Eva Hesse’s art, one at The Jewish Museum...
In November 2002 I chaired a panel of artist speakers in a session called “The Studio Encounter” a...
The sculpture of German-born American artist, Eva Hesse (1936-1970), presents many conservation chal...
Essay for the catalogue accompanying the exhibition Intreccio Mirage by Milly Thompson at 43 Inverne...
This essay discusses works produced over the first ten years of the career of the Syrian American ar...
‘Everything in Eva Hesse’s work was different…’ is a chapter I contributed to an international publi...
This article considers an exhibition of work made whilst the artist Bettina von Zwehl was on a resid...
An essay on the work of Charlotte Moth, the British artist b.1978, attending to the question of ligh...
This article makes an original contribution to the histories of sculpture in Britain, a phenomenon t...
Eva Hesse created works in latex in the latter half of her career that will continue to deteriorate ...
This catalogue essay was commissioned by Matt Smith, Polly Harknett and Caitlin Heffernan, co-curato...
An essay for a retrospective exhibition of the sculpture and drawings by Lucia Nogueira (1950-1998),...
A catalogue with a critical essay by David Thorp, to accompany the Avenuedes Gobelins exhibitio