Argues against previous critics\u27 claims that the order in which the poems appear in Leaves of Grass is of dubious significance by demonstrating how four poems from Drum-Taps- Cavalry Crossing a Ford, Bivouac on a Mountain Side, An Army Corps on the March, and By the Bivouac\u27s Fitful Flame -form a coherent sequence
Presents two 1856 reviews of the 1855 edition of Leaves of Grass not included in Kenneth M. Price\u2...
Examines "inhibiting assumptions--textual and aesthetic, not sexual"--that the authors believe "have...
While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his...
Argues against previous critics\u27 claims that the "order in which the poems appear in Leaves of Gr...
Examines William Michael Rossetti\u27s editorial influence on the Drum-Taps cluster in Leaves of G...
Explores the similarities and differences between Whitman\u27s Drum-Taps and Thomas Wentworth Higgin...
Màster Oficial en Construcció i Representació d'Identitats Culturals (CRIC), Curs 2007-2008, Directo...
Examines the 1871 "Drum-Taps" cluster on its own terms and in relation to other editions, arguing th...
This project examines Walt Whitman’s poetic voice – pre, during, and post-Civil War conflict. The es...
‘Fit Compositions’ was a commissioned book chapter for a volume on the re-ordering of American poetr...
Traces Thomas Wentworth Higginson\u27s gradual evolution from enemy and detractor of Whitman\u27s po...
Examines the 1865 Drum-Taps and “Sequel to Drum-Taps” in comparison to the 1871 “Drum-Taps” sequence...
In their poetry of war, Walt Whitman and Wilfred Owen substantially revise or reject outright the id...
While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his...
Argues that the Drum-Taps poems tell two different histories, one the "larger story of the war" and ...
Presents two 1856 reviews of the 1855 edition of Leaves of Grass not included in Kenneth M. Price\u2...
Examines "inhibiting assumptions--textual and aesthetic, not sexual"--that the authors believe "have...
While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his...
Argues against previous critics\u27 claims that the "order in which the poems appear in Leaves of Gr...
Examines William Michael Rossetti\u27s editorial influence on the Drum-Taps cluster in Leaves of G...
Explores the similarities and differences between Whitman\u27s Drum-Taps and Thomas Wentworth Higgin...
Màster Oficial en Construcció i Representació d'Identitats Culturals (CRIC), Curs 2007-2008, Directo...
Examines the 1871 "Drum-Taps" cluster on its own terms and in relation to other editions, arguing th...
This project examines Walt Whitman’s poetic voice – pre, during, and post-Civil War conflict. The es...
‘Fit Compositions’ was a commissioned book chapter for a volume on the re-ordering of American poetr...
Traces Thomas Wentworth Higginson\u27s gradual evolution from enemy and detractor of Whitman\u27s po...
Examines the 1865 Drum-Taps and “Sequel to Drum-Taps” in comparison to the 1871 “Drum-Taps” sequence...
In their poetry of war, Walt Whitman and Wilfred Owen substantially revise or reject outright the id...
While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his...
Argues that the Drum-Taps poems tell two different histories, one the "larger story of the war" and ...
Presents two 1856 reviews of the 1855 edition of Leaves of Grass not included in Kenneth M. Price\u2...
Examines "inhibiting assumptions--textual and aesthetic, not sexual"--that the authors believe "have...
While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his...
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