Generally unsubsidized filmmakers from Denmark know and appropriate the concept ‘indiefilm’, but the filmmakers relate to the notion in different ways. Some never really uses the concept, some passively acknowledge its existence, while others actively use it to gain a voice. Based on 38 interviews with directors, producers, actors and institutional representatives about the Danish independent film scene this article frames three modes of thought among the independent filmmakers: creative freedom, system protest, and training camps
What does the use of constraints offer filmmakers? A screenwriter from The National Film School of D...
What does the use of constraints offer filmmakers? A screenwriter from The National Film School of D...
In the Nordic region, broad-based, enduring commitments to film and film culture find expression in ...
Studying independent film in Denmark is a new and interesting way to analyse power relations in Dani...
Several institutional interests – including The Danish Film Institute, The National Film School of D...
Following the two previous volumes in this series of practitioner interviews with Danish directors,D...
Following the two previous volumes in this series of practitioner interviews with Danish directors,D...
In a small-nation film and media ecology, cogent thinking about capacity building is of critical imp...
In a small-nation film and media ecology, cogent thinking about capacity building is of critical imp...
Throughout the past decade, Danish independent cinema has grown from being amateur home productions ...
This chapter focuses on Danish soft power, reform and democratization, and on dialogue and collabora...
By examining the recent work by Danish writer-directors of both Dogme and New Danish Cinema from 199...
Incentives to develop non-fiction transmedia projects have recently challenged the work practices of...
What does the use of constraints offer filmmakers? A screenwriter from The National Film School of D...
The Danish indie scene has, throughout the past decade, grown from being amateur home productions to...
What does the use of constraints offer filmmakers? A screenwriter from The National Film School of D...
What does the use of constraints offer filmmakers? A screenwriter from The National Film School of D...
In the Nordic region, broad-based, enduring commitments to film and film culture find expression in ...
Studying independent film in Denmark is a new and interesting way to analyse power relations in Dani...
Several institutional interests – including The Danish Film Institute, The National Film School of D...
Following the two previous volumes in this series of practitioner interviews with Danish directors,D...
Following the two previous volumes in this series of practitioner interviews with Danish directors,D...
In a small-nation film and media ecology, cogent thinking about capacity building is of critical imp...
In a small-nation film and media ecology, cogent thinking about capacity building is of critical imp...
Throughout the past decade, Danish independent cinema has grown from being amateur home productions ...
This chapter focuses on Danish soft power, reform and democratization, and on dialogue and collabora...
By examining the recent work by Danish writer-directors of both Dogme and New Danish Cinema from 199...
Incentives to develop non-fiction transmedia projects have recently challenged the work practices of...
What does the use of constraints offer filmmakers? A screenwriter from The National Film School of D...
The Danish indie scene has, throughout the past decade, grown from being amateur home productions to...
What does the use of constraints offer filmmakers? A screenwriter from The National Film School of D...
What does the use of constraints offer filmmakers? A screenwriter from The National Film School of D...
In the Nordic region, broad-based, enduring commitments to film and film culture find expression in ...