Studying independent film in Denmark is a new and interesting way to analyse power relations in Danish film productions. The sheer magnitude of Danish indiefilms is in itself a very convincing voice to be heard. Throughout the past almost two decades we have seen a developing challenge to the typical way of producing a film in Denmark. Small production companies shoot up everywhere. Some of them are very critical of the public Danish film funding system, while others attempt to build a career as a Danish film producer. One key inspiration for many of the directors in – what has now become known as – Danish independent film is the American director Robert Rodriguez and especially his book Rebel without a crew (1995). The book is a diary of h...
This project concerns the contemporary situation of niche films on video on demand platforms operati...
By the late 1960s, the largest Scandinavian film companies had all closed their sound stages and mar...
During the last decades, regional film funds and tax breaks have altered the geography of European f...
The Danish indie scene has, throughout the past decade, grown from being amateur home productions to...
Throughout the past decade, Danish independent cinema has grown from being amateur home productions ...
Generally unsubsidized filmmakers from Denmark know and appropriate the concept ‘indiefilm’, but the...
Several institutional interests – including The Danish Film Institute, The National Film School of D...
Over the last two decades or so, the New Danish Cinema has established itself as an important source...
Incentives to develop non-fiction transmedia projects have recently challenged the work practices of...
Recent years have seen a rise in automatic funding schemes in the screen industries. This article ex...
With the development of Internet and technology, independent film can be distributed in various meth...
This study examined the working practices of (selected) Danish feature film writer/director partners...
This chapter focuses on Danish soft power, reform and democratization, and on dialogue and collabora...
Ever since the birth of Hollywood, British cinema has lived in the shadow of its successful transatl...
Too Many Doing Too Little On Contemporary European Film Production Cultures In a majority of Western...
This project concerns the contemporary situation of niche films on video on demand platforms operati...
By the late 1960s, the largest Scandinavian film companies had all closed their sound stages and mar...
During the last decades, regional film funds and tax breaks have altered the geography of European f...
The Danish indie scene has, throughout the past decade, grown from being amateur home productions to...
Throughout the past decade, Danish independent cinema has grown from being amateur home productions ...
Generally unsubsidized filmmakers from Denmark know and appropriate the concept ‘indiefilm’, but the...
Several institutional interests – including The Danish Film Institute, The National Film School of D...
Over the last two decades or so, the New Danish Cinema has established itself as an important source...
Incentives to develop non-fiction transmedia projects have recently challenged the work practices of...
Recent years have seen a rise in automatic funding schemes in the screen industries. This article ex...
With the development of Internet and technology, independent film can be distributed in various meth...
This study examined the working practices of (selected) Danish feature film writer/director partners...
This chapter focuses on Danish soft power, reform and democratization, and on dialogue and collabora...
Ever since the birth of Hollywood, British cinema has lived in the shadow of its successful transatl...
Too Many Doing Too Little On Contemporary European Film Production Cultures In a majority of Western...
This project concerns the contemporary situation of niche films on video on demand platforms operati...
By the late 1960s, the largest Scandinavian film companies had all closed their sound stages and mar...
During the last decades, regional film funds and tax breaks have altered the geography of European f...