Add to ORKGEssay enticingly brings to our view the painter Seymour Segal, as artist who admits the viewer unabashedly into the discomfort, the danger ... of the protagonist or event taking place
When matters of ultimate concern are upon us, the language with which we ordinarily negotiate life r...
Nothing intrigues more than performing tasks that disability renders impossible. Overcoming physical...
Reading and personal experiences have often drawn my attention to the exceptionally high incidence o...
I believe that art should engage emotion, foster imagination, and challenge people to think more dee...
Francis Tarwater awoke to find himself laying in the wake of unspeakable violence. When he arose, he...
This chapter considers the ways in which some artists convert their private trauma into public works...
A well known fact about any work of art of any significance is its power to upset current convention...
In the relative comfort of my UK living room, a passive spectator of TV news, I watch fleeting image...
This paper will investigate how contemporary artists who use political violence as a subject matter ...
Ori Gersht’s new exhibition at IWM in London faces the subjects of violence and suffering in the Sec...
The coronavirus pandemic and the crisis it has brought about has resulted in inaction on the part of...
Presentation of articles from issue 33 of Revista Cena, a publication on the interrelationships betw...
According to the Latin poet Virgil, art is capable of revealing to us what no science can ever revea...
From Introduction: We not only tolerate violence, we put it on the front pages of our newspapers. On...
Editor's Note: This touching essay, accompanied by reproductions of several works, and conclude...
When matters of ultimate concern are upon us, the language with which we ordinarily negotiate life r...
Nothing intrigues more than performing tasks that disability renders impossible. Overcoming physical...
Reading and personal experiences have often drawn my attention to the exceptionally high incidence o...
I believe that art should engage emotion, foster imagination, and challenge people to think more dee...
Francis Tarwater awoke to find himself laying in the wake of unspeakable violence. When he arose, he...
This chapter considers the ways in which some artists convert their private trauma into public works...
A well known fact about any work of art of any significance is its power to upset current convention...
In the relative comfort of my UK living room, a passive spectator of TV news, I watch fleeting image...
This paper will investigate how contemporary artists who use political violence as a subject matter ...
Ori Gersht’s new exhibition at IWM in London faces the subjects of violence and suffering in the Sec...
The coronavirus pandemic and the crisis it has brought about has resulted in inaction on the part of...
Presentation of articles from issue 33 of Revista Cena, a publication on the interrelationships betw...
According to the Latin poet Virgil, art is capable of revealing to us what no science can ever revea...
From Introduction: We not only tolerate violence, we put it on the front pages of our newspapers. On...
Editor's Note: This touching essay, accompanied by reproductions of several works, and conclude...
When matters of ultimate concern are upon us, the language with which we ordinarily negotiate life r...
Nothing intrigues more than performing tasks that disability renders impossible. Overcoming physical...
Reading and personal experiences have often drawn my attention to the exceptionally high incidence o...