A framework is proposed for generating interesting, and musically similar variationsof a givenmonophonicmelody. The focus is on rock/pop guitar and bass-guitarmelodies with the aim of eventual extensions to other instruments and musical styles. It is demonstrated here how learning musical style from segmented audio data can be formulated as an unsupervised learning problem to generate a symbolic representation. A melody is first segmented into a sequence of notes using onset detection and pitch estimation. A set of hierarchical, coarse-to-fine symbolic representations of the melody is generated by clustering pitch values at multiple similarity thresholds. The Variance Ratio Criterion is then used to select the appropriate clustering levels ...
cote interne IRCAM: Assayag01aNone / NoneNational audienceIn this paper, we describe and compare two...
<p>We present a machine learning approach to automatically generate expressive (ornamented) jazz per...
We investigate whether pitch sequences in non-tonal music can be modeled by an information-theoretic...
A framework is proposed for generating interesting, and musically similar variations of a givenmonop...
A framework is proposed for generating musically similar and interesting variations of a given monop...
Automatic music generation is an interdisciplinary research topic that combines computational creati...
The paper deals with question of music modeling and generation, capturing the idiomatic style of a c...
Recent advances in deep learning have expanded possibilities to generate music, but generating a cus...
International audienceThis paper presents a method taking into account the form of a tune upon sever...
Melodies provide an important conceptual summarization of polyphonic audio. The extraction of melodi...
The use of artificial intelligence is common in the research of musicology, which involves the large...
Computational approaches to music composition and style imitation have engaged musicians, music scho...
This research explores the generation of melodies through the creation of a probabilistic analytical...
In this paper, we describe and compare two methods for unsupervised learning of musical style, both ...
This demo shows how automatic melody composition of melodies that follow the style of a certain sing...
cote interne IRCAM: Assayag01aNone / NoneNational audienceIn this paper, we describe and compare two...
<p>We present a machine learning approach to automatically generate expressive (ornamented) jazz per...
We investigate whether pitch sequences in non-tonal music can be modeled by an information-theoretic...
A framework is proposed for generating interesting, and musically similar variations of a givenmonop...
A framework is proposed for generating musically similar and interesting variations of a given monop...
Automatic music generation is an interdisciplinary research topic that combines computational creati...
The paper deals with question of music modeling and generation, capturing the idiomatic style of a c...
Recent advances in deep learning have expanded possibilities to generate music, but generating a cus...
International audienceThis paper presents a method taking into account the form of a tune upon sever...
Melodies provide an important conceptual summarization of polyphonic audio. The extraction of melodi...
The use of artificial intelligence is common in the research of musicology, which involves the large...
Computational approaches to music composition and style imitation have engaged musicians, music scho...
This research explores the generation of melodies through the creation of a probabilistic analytical...
In this paper, we describe and compare two methods for unsupervised learning of musical style, both ...
This demo shows how automatic melody composition of melodies that follow the style of a certain sing...
cote interne IRCAM: Assayag01aNone / NoneNational audienceIn this paper, we describe and compare two...
<p>We present a machine learning approach to automatically generate expressive (ornamented) jazz per...
We investigate whether pitch sequences in non-tonal music can be modeled by an information-theoretic...