Generative models of music rhythm are in severe need of performance additions, i.e. inclusions of subtle temporal and dynamic alterations so as to render the music musical. While much of the research is based on music theory, the work presented here is based on the temporal perception, which is divided into three parts, the immediate (subchunk), the short-term memory (chunk), and the superchunk. By review of the relevant temporal perception literature, and analysis of performances of metrical music, the necessary performance elements to add in the metrical generative model, related to the chunk memory, are obtained
Appreciation and production of musical rhythm is a human universal and, as with other human capaciti...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
Many musicians (whether composers, performers, or writers) see rhythm as the most fundamental and in...
Generative models of music are in need of performance and gesture additions, i.e. inclusions of subt...
This paper presents a method to identify segment boundaries in music. The method is based on a hiera...
This thesis applies a phenomenological approach to music performance. Drawing on Christopher Hasty’s...
This paper, directed at researchers in linguistics, introduces three key aspects of musical rhythm a...
The research presented is based on the study of music, the study of mind and the study of machine. M...
The segmentation of music into intro-chorus-verse-outro, and similar segments, is a difficult topic....
Musical timing is a rich, complex phenomenon which changes across cultures, periods and styles and r...
This thesis investigates rhythm perception using computational modeling techniques. It develops a se...
Automatic rhythm analysis is an important area of research in Music Information Retrieval (MIR) as i...
Audio feature estimation is potentially improved by including higher- level models. One such model i...
HH is supported by a Distinguished Lorentz fellowship granted by the Lorentz Center for the Sciences...
Thesis (Ph.D.)--University of Washington, 2021Generative models can serve as a powerful primitive fo...
Appreciation and production of musical rhythm is a human universal and, as with other human capaciti...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
Many musicians (whether composers, performers, or writers) see rhythm as the most fundamental and in...
Generative models of music are in need of performance and gesture additions, i.e. inclusions of subt...
This paper presents a method to identify segment boundaries in music. The method is based on a hiera...
This thesis applies a phenomenological approach to music performance. Drawing on Christopher Hasty’s...
This paper, directed at researchers in linguistics, introduces three key aspects of musical rhythm a...
The research presented is based on the study of music, the study of mind and the study of machine. M...
The segmentation of music into intro-chorus-verse-outro, and similar segments, is a difficult topic....
Musical timing is a rich, complex phenomenon which changes across cultures, periods and styles and r...
This thesis investigates rhythm perception using computational modeling techniques. It develops a se...
Automatic rhythm analysis is an important area of research in Music Information Retrieval (MIR) as i...
Audio feature estimation is potentially improved by including higher- level models. One such model i...
HH is supported by a Distinguished Lorentz fellowship granted by the Lorentz Center for the Sciences...
Thesis (Ph.D.)--University of Washington, 2021Generative models can serve as a powerful primitive fo...
Appreciation and production of musical rhythm is a human universal and, as with other human capaciti...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
Many musicians (whether composers, performers, or writers) see rhythm as the most fundamental and in...