Add to ORKGTrying to give a better definition to the concept of mind-body, we ask for answers to the theories of Eugenio Barba and his actors. A work discussed with the authors quoted, and which is still in progress, as all the culturally lively “knots”. How mind and body react to each other in the work of the Odin Teatret’s actors and how is possible to train the creative process
The aim of this article is to specify the phenomenon of the actor’s presence onstage – to discuss it...
In the educational field, the body has always been at the centre of numerous reflections and the cur...
The aim of the paper is to look at the ways, in which the body has been conceptualized, trained and ...
Submission note: A thesis submitted in total fulfilment of the requirements for the degree of Doctor...
Since the birth of Odin Teatret, Eugenio Barba had in mind the quest into the techniques of the acto...
Theatre Anthropology, the work of Eugenio Barba, Odin Teatret, scholars and performers of the Intern...
The work is carried out to analyze the relationship of acting as mimesis and acting as an express...
Throughout the twentieth century, the mainstream theatre in Western Europe has remained, in spite of...
This text deals with the study of theatre as intersubjective relationships between human beings, hig...
My interest in masculinity – an issue of personal and cultural embodiment - arises from my own exper...
Advocacy for drama education has generally taken the form of an argument for dramatic literacy. But ...
This text covers the concepts of body and embodiment, creating a lexicon of words serving as instrum...
This article discusses the psychophysical processes of the actor from a laboratory practice develope...
Neuroscientific discoveries since the second half of the last century have revealed the mechanisms u...
Neuroscience, pedagogy and theatre: different epistemologies which, through dialogue, reflect each o...
The aim of this article is to specify the phenomenon of the actor’s presence onstage – to discuss it...
In the educational field, the body has always been at the centre of numerous reflections and the cur...
The aim of the paper is to look at the ways, in which the body has been conceptualized, trained and ...
Submission note: A thesis submitted in total fulfilment of the requirements for the degree of Doctor...
Since the birth of Odin Teatret, Eugenio Barba had in mind the quest into the techniques of the acto...
Theatre Anthropology, the work of Eugenio Barba, Odin Teatret, scholars and performers of the Intern...
The work is carried out to analyze the relationship of acting as mimesis and acting as an express...
Throughout the twentieth century, the mainstream theatre in Western Europe has remained, in spite of...
This text deals with the study of theatre as intersubjective relationships between human beings, hig...
My interest in masculinity – an issue of personal and cultural embodiment - arises from my own exper...
Advocacy for drama education has generally taken the form of an argument for dramatic literacy. But ...
This text covers the concepts of body and embodiment, creating a lexicon of words serving as instrum...
This article discusses the psychophysical processes of the actor from a laboratory practice develope...
Neuroscientific discoveries since the second half of the last century have revealed the mechanisms u...
Neuroscience, pedagogy and theatre: different epistemologies which, through dialogue, reflect each o...
The aim of this article is to specify the phenomenon of the actor’s presence onstage – to discuss it...
In the educational field, the body has always been at the centre of numerous reflections and the cur...
The aim of the paper is to look at the ways, in which the body has been conceptualized, trained and ...