The field of computer music is interdisciplinary by nature and closely related to a number of areas in computer science and engineering. The first CMMR gatherings mainly focused on information retrieval, programming, digital libraries, hypermedia, artificial intelligence, acoustics and signal processing. In 2005 CMMR started moving towards a more interdisciplinary view of the field by putting increased emphasis on the investigation of the role of human interaction at all levels of musical practice. CMMR 2007 focused on the Sense of Sounds from the synthesis and retrieval point of view and encouraged studies that linked sound modeling by analysis-synthesis to perception and cognition. CMMR 2008 seeks to enlarge upon the Sense of Sounds-conc...
From January 23 to January 28, 2011, the Dagstuhl Seminar 11041 ``Multimodal Music Processing\u27\u2...
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defi...
This book discusses the use of advanced techniques to produce and understand music in a digital way....
CMMR is an annual event focusing on important aspects of computer music. CMMR 2008 was the fifth even...
This book constitutes the thoroughly refereed post-conference proceedings of the 4th International C...
Inspired by the interest generated as the result of a panel discussion dealing with cross-disciplina...
This book constitutes the thoroughly refereed post-proceedings of the 7th International Symposium on...
Music is a ubiquitous and vital part of the lives of billions of people worldwide. Musical creations...
The Computer Music Modeling and Retrieval (CMMR) 2011 conference was the 8th event of this internati...
I am pleased to present the 15th International Conference on Auditory Display (ICAD), which takes p...
Technology and music have a centuries old history of coexistence: from luthiers to music information...
It is a pleasure to welcome everyone to the 2007 International Computer Music Conference, hosted in ...
International audienceThe conference theme of CMMR 2021 has been set at “Music in the AI Era.” Inmus...
This paper takes a step back from what are labeled ‘problem solving’approaches to the psychology of ...
International audienceThe conference was chaired by Pr. Keiji Hirata (Future University Hakodate, Ja...
From January 23 to January 28, 2011, the Dagstuhl Seminar 11041 ``Multimodal Music Processing\u27\u2...
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defi...
This book discusses the use of advanced techniques to produce and understand music in a digital way....
CMMR is an annual event focusing on important aspects of computer music. CMMR 2008 was the fifth even...
This book constitutes the thoroughly refereed post-conference proceedings of the 4th International C...
Inspired by the interest generated as the result of a panel discussion dealing with cross-disciplina...
This book constitutes the thoroughly refereed post-proceedings of the 7th International Symposium on...
Music is a ubiquitous and vital part of the lives of billions of people worldwide. Musical creations...
The Computer Music Modeling and Retrieval (CMMR) 2011 conference was the 8th event of this internati...
I am pleased to present the 15th International Conference on Auditory Display (ICAD), which takes p...
Technology and music have a centuries old history of coexistence: from luthiers to music information...
It is a pleasure to welcome everyone to the 2007 International Computer Music Conference, hosted in ...
International audienceThe conference theme of CMMR 2021 has been set at “Music in the AI Era.” Inmus...
This paper takes a step back from what are labeled ‘problem solving’approaches to the psychology of ...
International audienceThe conference was chaired by Pr. Keiji Hirata (Future University Hakodate, Ja...
From January 23 to January 28, 2011, the Dagstuhl Seminar 11041 ``Multimodal Music Processing\u27\u2...
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defi...
This book discusses the use of advanced techniques to produce and understand music in a digital way....