The notorious intensification and digitalization of surveillance technologies and practices in today’s society has brought about numerous changes. These changes have been widely noticed, described and discussed across many academic disciplines. However, the contexts of entertainment, play and leisure have not been studied with the same intensity as e.g. policing, civil liberties and social sorting. This paper offers a study of trends in surveillance pleasures, i.e. watching and eavesdropping in popular culture. My focus is the existential aspects and ethical dilemmas of surveillance as portrayed in the movies Rear Window (1954) and The Conversation (1974). I argue that such research as well as studies of the experience of surveillance contr...
This thesis examines the representations of surveillance in mainstream cinema. Using ideology critiq...
This article frames a theoretical discussion of cinematic gestures in their opposing forms, illusion...
This article frames a theoretical discussion of cinematic gestures in their opposing forms, illusion...
Although popular culture is an important metaphorical framework for the discussion of surveillance, ...
This thesis examines the increasing centrality of surveillance devices, themes and concepts from var...
Theoretical thesis.Includes bibliographical references.Introduction -- 1. A panorama of surveillance...
This practice-based research project uses a study of the key technological, political and social tri...
In the lines of Albrechtlund and Dubbled (2005) and their call for a new direction in Surveillance S...
This article examines video surveillance images in Hollywood film. It moves beyond previous accounts...
This paper suggests a direction in the development of Surveillance Studies that goes beyond current ...
This paper suggests a direction in the development of Surveillance Studies that goes beyond current ...
In the lines of Albrechtlund and Dubbled (2005) and their call for a new direction in Surveillance S...
This paper suggests a direction in the development of Surveillance Studies that goes beyond current ...
Deposited with permission of Double DialoguesOver the 1990s technologies and uses of surveillance de...
The goal of this thesis The thematization of the issue of surveillance and power in cinematography i...
This thesis examines the representations of surveillance in mainstream cinema. Using ideology critiq...
This article frames a theoretical discussion of cinematic gestures in their opposing forms, illusion...
This article frames a theoretical discussion of cinematic gestures in their opposing forms, illusion...
Although popular culture is an important metaphorical framework for the discussion of surveillance, ...
This thesis examines the increasing centrality of surveillance devices, themes and concepts from var...
Theoretical thesis.Includes bibliographical references.Introduction -- 1. A panorama of surveillance...
This practice-based research project uses a study of the key technological, political and social tri...
In the lines of Albrechtlund and Dubbled (2005) and their call for a new direction in Surveillance S...
This article examines video surveillance images in Hollywood film. It moves beyond previous accounts...
This paper suggests a direction in the development of Surveillance Studies that goes beyond current ...
This paper suggests a direction in the development of Surveillance Studies that goes beyond current ...
In the lines of Albrechtlund and Dubbled (2005) and their call for a new direction in Surveillance S...
This paper suggests a direction in the development of Surveillance Studies that goes beyond current ...
Deposited with permission of Double DialoguesOver the 1990s technologies and uses of surveillance de...
The goal of this thesis The thematization of the issue of surveillance and power in cinematography i...
This thesis examines the representations of surveillance in mainstream cinema. Using ideology critiq...
This article frames a theoretical discussion of cinematic gestures in their opposing forms, illusion...
This article frames a theoretical discussion of cinematic gestures in their opposing forms, illusion...