The Triennial of Modernism originated in 2013 from a cooperation between Berlin, Dessau and Weimar in Germany. Since then, the cultural, architectural and intellectual heritage of the epoch has been brought into the focus of the general public every three years, so far in 2013, 2016, 2019, and in 2022. The festival grew as a bottom-up and cross-sectoral network, with rising partnerships in Germany and abroad—projected to become a European Triennial of Modernism. A cross-city motto is determined in advance, which can also take into account special anniversaries or theme years. In 2022, a special focus takes a closer look at the roots and the heritage of Modernism in Ukraine, for a trans-European consideration of historical references and pro...
Transcultural Modernisms is based on the findings of an interdisciplinary research project with focu...
When moving the Docomomo Headquarters to Delft in January 2022, it announced a new cycle of the Doco...
The article reflects on the status of modern World Heritage sites in general and in particular relat...
This article attempts to demonstrate the changes that occur over a certain period in assessing the c...
This article attempts to demonstrate the changes that occur over a certain period in assessing the c...
The national identity of Ukrainian architecture in the early 20th century manifested itself in the f...
Against the backdrop of the Bauhaus centenary in 2019, Encounters with Southeast Asian Modernism exa...
At the occasion of the "àth anniversary of the birth of Mies van der Rohe, on 27 March 2016, the exh...
Ukrainian modernist painting often gets lumped in with the larger Russian modernist and avant-garde ...
Focusing on the period 1890-1939, this paper explores exchanges between three generations of Prague ...
DOCOMOMO Germany with the Detmold School of Architecture and Interior Architecture, Ostwestfalen-Lip...
The heritage of the architectural Avant-garde in Ukraine, formed in the interwar period (1921-1939),...
The heritage of the architectural Avant-garde in Ukraine, formed in the interwar period (1921-1939),...
The text constitutes a reference to the article on applying social realism discourse in pop-art and ...
This issue of the journal is thematic. It covers topics raised in the all-Ukrainian scientific and p...
Transcultural Modernisms is based on the findings of an interdisciplinary research project with focu...
When moving the Docomomo Headquarters to Delft in January 2022, it announced a new cycle of the Doco...
The article reflects on the status of modern World Heritage sites in general and in particular relat...
This article attempts to demonstrate the changes that occur over a certain period in assessing the c...
This article attempts to demonstrate the changes that occur over a certain period in assessing the c...
The national identity of Ukrainian architecture in the early 20th century manifested itself in the f...
Against the backdrop of the Bauhaus centenary in 2019, Encounters with Southeast Asian Modernism exa...
At the occasion of the "àth anniversary of the birth of Mies van der Rohe, on 27 March 2016, the exh...
Ukrainian modernist painting often gets lumped in with the larger Russian modernist and avant-garde ...
Focusing on the period 1890-1939, this paper explores exchanges between three generations of Prague ...
DOCOMOMO Germany with the Detmold School of Architecture and Interior Architecture, Ostwestfalen-Lip...
The heritage of the architectural Avant-garde in Ukraine, formed in the interwar period (1921-1939),...
The heritage of the architectural Avant-garde in Ukraine, formed in the interwar period (1921-1939),...
The text constitutes a reference to the article on applying social realism discourse in pop-art and ...
This issue of the journal is thematic. It covers topics raised in the all-Ukrainian scientific and p...
Transcultural Modernisms is based on the findings of an interdisciplinary research project with focu...
When moving the Docomomo Headquarters to Delft in January 2022, it announced a new cycle of the Doco...
The article reflects on the status of modern World Heritage sites in general and in particular relat...