At the end of the third book and the beginning of the fourth book of the Metamorphoses, the particular Thebaid created by Ovid is narrated, with the entry of Bacchus into Thebes and the celebration of the Bacchic festivities. This paper aims to study the images in relation to this theme that are represented in fourteenth century illuminated manuscripts of Ovide moralisé and Ovidius moralizatus. In this analysis we will take several aspects into account: the different texts that illustrate the miniatures, the Ovide moralisé and the Ovidius moralizatus, for which the different texts will be compared; the lack of previous iconographic models of this myth, and the absence of key points in the narrative. As a consequence, each miniaturist, when ...
In the Ovide moralisé of the fourteenth century, as in the Metamorphoses of Ovid, which the work aim...
Of the eighty-five known Roman mosaics that depict Orpheus charming the animals, or the theatrum, ei...
As a result of Ovid’s prominence in Northern Europe from the twelfth through the sixteenth centuries...
The objective of this paper is to put forward possible relationships of Bersuire's Ovidius moralizat...
This paper focuses on analysing fable II of Book IV of Ovidius moralizatus written by Petrus Berchor...
The anonymous French Ovide moralisé is the first full translation of Ovid’s Metamorphoses, covering ...
International audienceThe recycling of the traditional iconographic repertoire of the Creation of th...
International audienceIn the Ovide moralisé of the fourteenth century, as in the Metamorphoses of Ov...
The iconographic fortune of the Ovid's Metamorphosis in the Middle Ages.Studio della fortuna iconogr...
The iconographic representations of the fourth apologue of the Barlaam and Josaphat legend in the It...
Among the considerable manuscript production of the twelfth and thirteenth centuries, the Bible mora...
Analyse d'éléments paratextuels (iconographiques) des témoins de l'Ovide moralisé en lien avec les s...
Recent investigations on ninth-century Byzantine Psalters have focused mostly on the impact of the i...
The Metamorphoses of the Italian Trecento preserved in the Marciana Library in Venice is one of the ...
The aim of this thesis is, by means of a close examination of the evidence presented by the texts, t...
In the Ovide moralisé of the fourteenth century, as in the Metamorphoses of Ovid, which the work aim...
Of the eighty-five known Roman mosaics that depict Orpheus charming the animals, or the theatrum, ei...
As a result of Ovid’s prominence in Northern Europe from the twelfth through the sixteenth centuries...
The objective of this paper is to put forward possible relationships of Bersuire's Ovidius moralizat...
This paper focuses on analysing fable II of Book IV of Ovidius moralizatus written by Petrus Berchor...
The anonymous French Ovide moralisé is the first full translation of Ovid’s Metamorphoses, covering ...
International audienceThe recycling of the traditional iconographic repertoire of the Creation of th...
International audienceIn the Ovide moralisé of the fourteenth century, as in the Metamorphoses of Ov...
The iconographic fortune of the Ovid's Metamorphosis in the Middle Ages.Studio della fortuna iconogr...
The iconographic representations of the fourth apologue of the Barlaam and Josaphat legend in the It...
Among the considerable manuscript production of the twelfth and thirteenth centuries, the Bible mora...
Analyse d'éléments paratextuels (iconographiques) des témoins de l'Ovide moralisé en lien avec les s...
Recent investigations on ninth-century Byzantine Psalters have focused mostly on the impact of the i...
The Metamorphoses of the Italian Trecento preserved in the Marciana Library in Venice is one of the ...
The aim of this thesis is, by means of a close examination of the evidence presented by the texts, t...
In the Ovide moralisé of the fourteenth century, as in the Metamorphoses of Ovid, which the work aim...
Of the eighty-five known Roman mosaics that depict Orpheus charming the animals, or the theatrum, ei...
As a result of Ovid’s prominence in Northern Europe from the twelfth through the sixteenth centuries...