A group exhibition exploring the still frame in cinema. The moving magic of film lies in its frame-by-frame flickering approximation of life. The stilling of that movement re-directs the viewer’s gaze towards an entirely new reality. Context and meaning are rearranged and new beauties unearthed behind the seemingly banal. In halting, repeating or reconstructing, the image persists, becoming a thing in itself, which as film theorist Laura Mulvey notes ‘has its own visual pleasures and rewards that do not replace, but compliment those of watching a film’.Each of the artists exhibiting in Still is in their various way engaged in this quixotic cinematic alteration.</p
The proposed theme is based on the intrigue and questioning about the multiple dimensions of the Sti...
Still is a 75-minute music-cinema work that experimentally weaves electronic music, narrative, docum...
Often photography is seen as the medium 'par excellence' to freeze time, to capture the moment. But ...
In this paper I consider instances of the moving image apparently becoming still in film-based cinem...
David Hinton and Sue Davis go back to the beginnings of cinema in All This Can Happen. A fascination...
216 pp. Film images move. Whether structured by fictional or documentary narrative, film images move...
A photographic installation commissioned by CAPTURE (National agency for Dance on Screen) and Arts C...
The Still Point of the Turning World: between film and photography, accompanies the exhibition of th...
Explores the tension between stillness and movement, using the quiet intensity of the still life pai...
This PhD project proposes the idea of ‘attractions’ as a tool for the critical analysis and reassess...
The intention of this research has been to discover the historical basis of Still Motion film. Withi...
Dealing with the film still of classical Hollywood films, this article traces the historical develop...
The paper considers the role of photography in the era of the moving image, in particular how still ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
This short essay brings together some thoughts about two films, both of which take as their starting...
The proposed theme is based on the intrigue and questioning about the multiple dimensions of the Sti...
Still is a 75-minute music-cinema work that experimentally weaves electronic music, narrative, docum...
Often photography is seen as the medium 'par excellence' to freeze time, to capture the moment. But ...
In this paper I consider instances of the moving image apparently becoming still in film-based cinem...
David Hinton and Sue Davis go back to the beginnings of cinema in All This Can Happen. A fascination...
216 pp. Film images move. Whether structured by fictional or documentary narrative, film images move...
A photographic installation commissioned by CAPTURE (National agency for Dance on Screen) and Arts C...
The Still Point of the Turning World: between film and photography, accompanies the exhibition of th...
Explores the tension between stillness and movement, using the quiet intensity of the still life pai...
This PhD project proposes the idea of ‘attractions’ as a tool for the critical analysis and reassess...
The intention of this research has been to discover the historical basis of Still Motion film. Withi...
Dealing with the film still of classical Hollywood films, this article traces the historical develop...
The paper considers the role of photography in the era of the moving image, in particular how still ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
This short essay brings together some thoughts about two films, both of which take as their starting...
The proposed theme is based on the intrigue and questioning about the multiple dimensions of the Sti...
Still is a 75-minute music-cinema work that experimentally weaves electronic music, narrative, docum...
Often photography is seen as the medium 'par excellence' to freeze time, to capture the moment. But ...