This article presents a chrono-stylistic approach to ceramics from Morro de Eten, which was discussed as exclusive to the Late Formative. Based on a stylistic characterization combined with the comparison criterion by similarity, the existence of ceramics linked to the Middle Formative B (1000 - 800 B.C.), Late Formative A (800 - 700 B.C.) and Late Formative B ( 700 – 550 B.C.). In this way, three stylistic phases are established that indicate the prolonged occupation of the site with various types of ceramics, whose shared parallels would be manifesting the complex mechanisms of social interaction in which the inhabitants of Morro de Eten were involved during the Middle and Late Formative. En este artículo se presenta una aproximación cro...
Patterns and conventions in the figurative art of the early formative period in the north coast of t...
This paper presents some reflections on ceramic production carried out in the Las Cogotas hillfort (...
Ceramics are part of the material dimension of practice, inserted into a process by which human obje...
This paper is about the occupational continuity in the Colima Valley during the Formative period, pa...
In this article, we present the results obtained from the stylistic analysis, as well as the technol...
El artículo gira en torno a la continuidad ocupacional del valle de Colima durante el periodo Format...
El artículo gira en torno a la continuidad ocupacional del valle de Colima durante el periodo Format...
El presente artículo realiza una descripción analítica del periodo Formativo ecuatoriano (4500-300 A...
El artículo gira en torno a la continuidad ocupacional del valle de Colima durante el periodo Format...
El artículo gira en torno a la continuidad ocupacional del valle de Colima durante el periodo Format...
This article addresses the study of a late pottery (Late and Inca periods) assemblage from the cente...
El artículo gira en torno a la continuidad ocupacional del valle de Colima durante el periodo Format...
Th e main purpose of this paper is to assess the social signifi cance of the early Nasca ceramics fo...
Se presentan los resultados de la caracterización estilística y del análisis tecnológico y petrográf...
International audienceDuring the pre-Hispanic period, the northern coast of Peru saw the development...
Patterns and conventions in the figurative art of the early formative period in the north coast of t...
This paper presents some reflections on ceramic production carried out in the Las Cogotas hillfort (...
Ceramics are part of the material dimension of practice, inserted into a process by which human obje...
This paper is about the occupational continuity in the Colima Valley during the Formative period, pa...
In this article, we present the results obtained from the stylistic analysis, as well as the technol...
El artículo gira en torno a la continuidad ocupacional del valle de Colima durante el periodo Format...
El artículo gira en torno a la continuidad ocupacional del valle de Colima durante el periodo Format...
El presente artículo realiza una descripción analítica del periodo Formativo ecuatoriano (4500-300 A...
El artículo gira en torno a la continuidad ocupacional del valle de Colima durante el periodo Format...
El artículo gira en torno a la continuidad ocupacional del valle de Colima durante el periodo Format...
This article addresses the study of a late pottery (Late and Inca periods) assemblage from the cente...
El artículo gira en torno a la continuidad ocupacional del valle de Colima durante el periodo Format...
Th e main purpose of this paper is to assess the social signifi cance of the early Nasca ceramics fo...
Se presentan los resultados de la caracterización estilística y del análisis tecnológico y petrográf...
International audienceDuring the pre-Hispanic period, the northern coast of Peru saw the development...
Patterns and conventions in the figurative art of the early formative period in the north coast of t...
This paper presents some reflections on ceramic production carried out in the Las Cogotas hillfort (...
Ceramics are part of the material dimension of practice, inserted into a process by which human obje...