This text is the first comprehensive attempt in decades to integrate reading into the philosophical discussion of the synthesis of experience more generally. It offers a comprehensive critique of three disciplinary approaches to reading: philosophical, literary and empirical/neuroscientific, while developing an innovative and unifying phenomenological account. It discusses texts from a variety of contemporary and historical contexts. It is inclusive, treating non-fiction alongside fiction, literary art alongside everyday texts, and narrative alongside thematic discourse. It addresses all reading practices found today: casual and unreflective reading, close and scholarly reading with re-reading, the analysis of literary art, and sacred text ...
This paper is inspired by the manuscript of Philip Kitcher’s forthcoming book Deaths in Venice: The ...
What do we actually know about the reading experiences taking place within literary studies? And wha...
Interviews and focus groups have long been employed to research the ways in which literary and telev...
What do you experience when you read? You are reading right now, so ask yourself, do you have an inn...
In this set of stories I investigate in the experience of reading philosophical texts. Reading is on...
Is there a way of reading philosophically without imposing a pre-existing philosophy on the literary...
At first blush, phenomenology seems to be concerned preeminently with questions of knowled...
This book is about the experience of reading—what reading feels like, how it makes people feel, how ...
My thesis engages with reader-response theory in order to show how the realisations it makes might b...
This dissertation examines the growth and practice of two distinct reading techniques, with referenc...
My thesis engages with reader-response theory in order to show how the realisations it makes might b...
Given the proliferation of theoretical discussions in literary criticism, teachers find it difficult...
Cognition, Literature, and History models the ways in which cognitive and literary studies may colla...
Since Antiquity, the relationship between philosophy and literature has been highly ambivalent. Thus...
"Experience convenes a conversation with artists, musicians, philosophers, anthropologists, historia...
This paper is inspired by the manuscript of Philip Kitcher’s forthcoming book Deaths in Venice: The ...
What do we actually know about the reading experiences taking place within literary studies? And wha...
Interviews and focus groups have long been employed to research the ways in which literary and telev...
What do you experience when you read? You are reading right now, so ask yourself, do you have an inn...
In this set of stories I investigate in the experience of reading philosophical texts. Reading is on...
Is there a way of reading philosophically without imposing a pre-existing philosophy on the literary...
At first blush, phenomenology seems to be concerned preeminently with questions of knowled...
This book is about the experience of reading—what reading feels like, how it makes people feel, how ...
My thesis engages with reader-response theory in order to show how the realisations it makes might b...
This dissertation examines the growth and practice of two distinct reading techniques, with referenc...
My thesis engages with reader-response theory in order to show how the realisations it makes might b...
Given the proliferation of theoretical discussions in literary criticism, teachers find it difficult...
Cognition, Literature, and History models the ways in which cognitive and literary studies may colla...
Since Antiquity, the relationship between philosophy and literature has been highly ambivalent. Thus...
"Experience convenes a conversation with artists, musicians, philosophers, anthropologists, historia...
This paper is inspired by the manuscript of Philip Kitcher’s forthcoming book Deaths in Venice: The ...
What do we actually know about the reading experiences taking place within literary studies? And wha...
Interviews and focus groups have long been employed to research the ways in which literary and telev...